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Performance Practices at the Cathedral of Cambrai 1475–1550 In Memory of Gustave Reese
0 references·14 citing·23 second hop
Performance Practices at the Cathedral of Cambrai 1475–1550 In Memory of Gustave Reese (1978)Performance Practices at the Cathedral of…MUSICALISING HISTORY (2019)MUSICALISING HISTORYGuillaume Du Fay (2019)Guillaume Du FayComposing Community in Late Medieval Music (2019)Composing Community in Late M…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay's Missa Ave regina celorum (1995)Miserere supplicanti Dufay: T…A lost guide to Tinctoris's teachings recovered (1981)A lost guide to Tinctoris's t…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)A critique of modern textual criticism (1983)Foundations of Music History (1983)Negotiating the past: The Historical Understanding of Medieval Literature (1991)Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music (2000)The Basic Works of Aristotle (1941)Source Readings in Music History (1950)The relationship of perfect and imperfect time in Italian theory of the Renaissance (1985)The Origin and Early History of Proportion Signs (1988)Die Musik in Geschichte und Gegenwart (1989)Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition (2018)Sacrorum Conciliorum Nova, Et Amplissima Collectio (1960)The Cambridge History of Western Music Theory (2002)Medieval Music and the Art of Memory (2005)Scenes from the Drama of European Literature (1985)The Audible Past (2003)The Cultural study of music: a critical introduction (2003)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Music in the Early Colonial World (2019)
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Cited by

  • 2012The Cambridge History of Musical Performance46 cited
  • 1981A lost guide to Tinctoris's teachings recovered17 cited
  • 1995Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay's Missa Ave regina celorum16 cited
  • 2019MUSICALISING HISTORY16 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2019Guillaume Du Fay5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2019Composing Community in Late Medieval Music3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited

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