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The University, Disciplines, National Identity: Why Is There No Film Studies in Japan?
16 references·0 citing·30 second hop
The University, Disciplines, National Identity: Why Is There No Film Studies in Japan? (2000)The University, Disciplines, National Ide…Translation and Subjectivity: On Japan and cultural nationalism (2008)Translation and Subjectivity:…Kurosawa: film studies and Japanese cinema (2000)Kurosawa: film studies and Ja…The Rise and Fall of English: Reconstructing English as a Discipline (1999)The Rise and Fall of English:…Mirror of Modernity: Invented Traditions of Modern Japan (1999)Mirror of Modernity: Invented…The University in Ruins (1997)The University in RuinsPrimitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema (1997)Primitive Passions: Visuality…NASA/TREK: Popular Science and Sex in America (1997)NASA/TREK: Popular Science an…Japan's Orient: Rendering Pasts into History (1994)Japan's Orient: Rendering Pas…The Desire to Desire: The Woman's Film of The 1940s (1993)The Desire to Desire: The Wom…Strains of utopia: gender, nostalgia, and Hollywood film music (1993)Strains of utopia: gender, no…Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (1991)Making Meaning: Inference and…The Emergence of Cultural Studies and the Crisis of the Humanities (1990)The Emergence of Cultural Stu…Japan's Modern Myths (1985)Japan's Modern MythsThe Postmodern Condition: A Report on Knowledge (1984)The Postmodern Condition: A R…Women and Film Both Sides of the Camera (1983)Women and Film Both Sides of …Signs and Meaning in the Cinema (1971)Signs and Meaning in the Cine…New Audiences, New Textualities (2003)Cybergirls in Trouble? Fan Fiction as a Discursive Space for Interrogating Gender and Sexuality (2008)Homosexuality at the Online Hogwarts: Harry Potter Slash Fanfiction (2008)Feminist theories and media studies (1987)Breasted Experience: The Look and the Feeling (1992)THE POLITICS AND POETICS OF DANCE (1998)Apparitions of Asia (2008)Precarity as a Political Concept, or, Fordism as Exception (2008)Cultural translation: An introduction to the problem, and Responses (2009)Management as ideology: the case of ‘new managerialism’ in higher education (2005)Epistemic Disobedience, Independent Thought and Decolonial Freedom (2009)On being included: racism and diversity in institutional life (2013)The Ideology of Consumption: A Structural-Syntactical Analysis of "Dallas" and "Dynasty" (1988)Moving image theory: ecological considerations (2005)What's the Point of an Index? or, Faking Photographs (2008)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas (2004)Beyond Participant Observation: Collaborative Ethnography as Theoretical Innovation (2008)Narrative configuration in qualitative analysis (1995)The teacher's soul and the terrors of performativity (2003)Autoethnography: An Overview (2010)PUBLIC PEDAGOGY AS CULTURAL POLITICS: STUART HALL AND THE CRISIS OF CULTURE (2000)Methodology of the Oppressed (2010)Problematizing Disciplinarity, Transdisciplinary Problematics (2015)Complicit exoticism: Japan and its other (1994)Mobilizing International Norms: Domestic Actors, Immigrants, and the Japanese State (1999)Between Two Empires (2005)The Cambridge Companion to Gothic Fiction (2002)A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses (2006)The Mind‐Game Film (2008)
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References

  • 1984The Postmodern Condition: A Report on Knowledge15,070 cited
  • 1997The University in Ruins2,196 cited
  • 1985Japan's Modern Myths723 cited
  • 2008Translation and Subjectivity: On Japan and cultural nationalism698 cited
  • 1997Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema636 cited
  • 1971Signs and Meaning in the Cinema434 cited
  • 1990The Emergence of Cultural Studies and the Crisis of the Humanities390 cited
  • 1997NASA/TREK: Popular Science and Sex in America384 cited
  • 1993The Desire to Desire: The Woman's Film of The 1940s344 cited
  • 1983Women and Film Both Sides of the Camera302 cited
  • 1991Making Meaning: Inference and Rhetoric in the Interpretation of Cinema300 cited
  • 1994Japan's Orient: Rendering Pasts into History168 cited
  • 1999Mirror of Modernity: Invented Traditions of Modern Japan160 cited
  • 1993Strains of utopia: gender, nostalgia, and Hollywood film music133 cited
  • 1999The Rise and Fall of English: Reconstructing English as a Discipline125 cited
  • 2000Kurosawa: film studies and Japanese cinema

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