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“WE'LL ALWAYS BE BOSOM BUDDIES”
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this work references cited by second hop

References

  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 1993Making Things Perfectly Queer: Interpreting Mass Culture700 cited
  • 2005Utopia in Performance689 cited
  • 1994The apparitional lesbian: female homosexuality and modern culture665 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1986The Responsibility of Forms: Critical Essays on Music, Art, and Representation432 cited
  • 1998Place for Us: Essay on the Broadway Musical300 cited
  • 2000Conventional Wisdom: The Content of Musical Form250 cited
  • 2003After Adorno : rethinking music sociology246 cited
  • 2001Theorizing Musical Meaning244 cited
  • 1992The Broadway Musical: A Critical and Musical Survey236 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited
  • 1994The American Film Musical212 cited
  • 1987CAN'T HELP SINGIN': THE AMERICAN MUSICAL ON STAGE AND SCREEN175 cited
  • 2004Music in Other WordsVictorian Conversations

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159 cited

Cited by

  • 2014“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story6 cited
  • 2016Establishing Identity, Finding Community, and Embracing Fluidity5 cited