Goya’s Los Caprichos: An Enlightened Bestiary

Julie Thompson

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Historical Art and Architecture Studies Spanish Literature and Culture Studies Visual Culture and Art Theory

Abstract

This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.

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References

1995Medieval Bestiaries: Text, Image, Ideology 1998Bestiaries and Their Users in the Middle Ages 1991Beasts and Birds of the Middle Ages: The Bestiary and Its Legacy 1975A Handbook of Symbols in Christian Art 1997:Medieval Bestiaries: Text, Image, Ideology 2013The Mark of the Beast 2004:Monsters and Grotesques in Medieval Manuscripts 1992Goya in the Twilight of Enlightenment

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