SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Theory/practice and the British film conservatoire
3 references·4 citing·22 second hop
Theory/practice and the British film conservatoire (2011)Theory/practice and the British film cons…Film Policy in the United Kingdom: New Labour at the Movies (2005)Film Policy in the United Kin…Godard: A Portrait of the Artist at Seventy (2004)Godard: A Portrait of the Art…New questions of British cinema (1992)New questions of British cine…The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology (2022)The biopic screenplay as a re…Making Practice Publishable: What Practice Academics Need to Do to Get Their Work Published, and What that Tells Us about the Theory-practice Gap (2019)Making Practice Publishable: …Re-visioning screen production education through the lens of creative practice: an Australian film school example (2018)Re-visioning screen productio…Learning by watching, doing and ‘having a chat’: developing conceptual knowledge in the UK film & TV industry (2018)Learning by watching, doing a…Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Qualitative evaluation and research methods (1990)Handbook of Positive Psychology (2001)Qualitative research practice: a guide for social science students and researchers (2003)Approaches to gender diversity behind the camera in Australian student screen productions (2022)Educating the reflective practitioner (1987)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)The Sage Handbook of Qualitative Research 1 (2011)Understanding and conceptualising the daily work of human resource practitioners (2022)Cultural geography: the busyness of being `more-than-representational' (2005)After the typewriter: the screenplay in a digital era (2010)27. Tales of Sound and Fury: Observations on the Family Melodrama (2012)The politics of regional audio-visual policy in England: or, how we learnt to stop worrying and get ‘creative’ (2011)Professionalising the British film industry: the UK Film Council and public support for film production (2015)The Dark Side of Hybridity: Contemporary Black and Asian British Cinema (2010)Screening early modern drama: beyond Shakespeare (2014)A national cinema’s transnational aspirations? Considerations on “Bollywood” (2017)Tear down the walls: Jefferson Airplane, race, and revolutionary rhetoric in 1960s rock (2010)The Red Years of Cahiers du cinéma (1968-1973) (2021)The Red Years of Cahiers du cinéma (1968-1973) (2021)
this work references cited by second hop

References

  • 1992New questions of British cinema31 cited
  • 2004Godard: A Portrait of the Artist at Seventy24 cited
  • 2005Film Policy in the United Kingdom: New Labour at the Movies22 cited

Cited by

  • 2019Making Practice Publishable: What Practice Academics Need to Do to Get Their Work Published, and What that Tells Us about the Theory-practice Gap15 cited
  • 2018Re-visioning screen production education through the lens of creative practice: an Australian film school example9 cited
  • 2022The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology7 cited
  • 2018Learning by watching, doing and ‘having a chat’: developing conceptual knowledge in the UK film & TV industry1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work