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“The Spider Is Alive”: Reassessing Becker's Theory of Artistic Conventions through Southern Italian Music
16 references·2 citing·31 second hop
“The Spider Is Alive”: Reassessing Becker's Theory of Artistic Conventions through Southern Italian Music (2009)“The Spider Is Alive”: Reassessing Becker…Music: A Very Short Introduction (2021)Music: A Very Short Introduct…Social Construction of Reality (2020)Social Construction of RealitySubculture (2010)SubcultureTalk of love: how culture matters (2002)Talk of love: how culture mat…Talk of Love (2001)Talk of LoveMusic in Everyday Life (2000)Music in Everyday LifePerforming Rites (1996)Performing RitesSubculture: The Meaning of Style (1995)Subculture: The Meaning of St…Symbolic Interactionism: Perspective and Method (1988)Symbolic Interactionism: Pers…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Art As Collective Action (1974)Art As Collective ActionSymbolic Interactionism: Perspective and Method. (1971)Symbolic Interactionism: Pers…The Social Construction of Reality (1967)The Social Construction of Re…Emotion and Meaning in Music (1961)Emotion and Meaning in MusicEmotion and Meaning in Music (1957)Emotion and Meaning in MusicThe Social System (1951)The Social SystemThe Aural and Moral Idylls of “Englishness” and Folk Music (2017)The Aural and Moral Idylls of…Noise in action: the sonic (de)construction of art worlds (2010)Noise in action: the sonic (d…The Structure of Scientific Revolutions (1963)The consequences of modernity (1990)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Emotion Work, Feeling Rules, and Social Structure (1979)The Social Amplification of Risk: A Conceptual Framework (1988)Anarchy is what states make of it: the social construction of power politics (1992)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)Review : Knowledge Management and Knowledge Management Systems: Conceptual Foundations And Research Issues1,2 (2001)Boundary-Work and the Demarcation of Science from Non-Science: Strains and Interests in Professional Ideologies of Scientists (1983)Culture in Action: Symbols and Strategies (1986)World Society and the Nation‐State (1997)Staged Authenticity: Arrangements of Social Space in Tourist Settings (1973)Political Science and the Three New Institutionalisms (1996)Analytic Autoethnography (2006)International practices (2011)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)The Study of Boundaries in the Social Sciences (2002)What Is Field Theory? (2003)Motivation and Justification: A Dual‐Process Model of Culture in Action (2009)
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  • 2017The Aural and Moral Idylls of “Englishness” and Folk Music5 cited

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  • 2010Noise in action: the sonic (de)construction of art worlds3 cited