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False Faith or False Comparison? A Critique of the Religious Interpretation of Elvis Fan Culture
3 references·10 citing·39 second hop
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this work references cited by second hop

References

  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 2001Tramps like Us: Music and Meaning among Springsteen Fans189 cited
  • 1996Elvis After Elvis: The Posthumous Career of a Living Legend56 cited

Cited by

  • 2018Fans, fandoms, or fanaticism?81 cited
  • 2019Experiential brand loyalty: Towards an extended conceptualisation of consumer allegiance to brands29 cited
  • 2012Fandom as a religious form: on the reception of pop music by Cliff Richard fans in Liverpool26 cited
  • 2013“His Soul Was Wandering and Holy”: Employing and Contesting Religious Terminology in Django Fandom19 cited
  • 2009“We Are Interrupted by Your Noise”: Heckling and the Symbolic Economy of Popular Music Stardom13 cited
  • 2013Popular Music Studies and the Problems of Sound, Society and Method12 cited
  • 2012Why promote sold‐out concerts? A Durkheimian analysis8 cited
  • 2015Elvis’ Gospel Music: Between the Secular and the Spiritual?7 cited
  • 2014Celebrity: The return of the repressed in fan studies?3 cited
  • 2011Elvis Presley and Susan Boyle: Bodies of Controversy3 cited

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