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Cited by

• 2005Eye for an eye85 cited
• 2006“What Man Artow?”: Authorial Self-Definition in the Tale of Sir Thopas and the Tale of Melibee44 cited
• 2014Childhood, Youth and Religious Dissent in Post-Reformation England34 cited
• 2004The Flow of Blood in Medieval Norwich30 cited
• 1999Theatrical History in the Croxton Play of the Sacrament21 cited
• 2006“The Living Witnesses of Our Redemption”: Martyrdom and Imitation in the Prioress’s Tale19 cited
• 2008Sadism And Sentimentality: Absorbing Antisemitism in Chaucer's Prioress18 cited
• 1981"In the Hearth of the Virginal Womb": The Iconography of the Holocaust in Late Medieval Art14 cited
• 1988The Croxton Play of the Sacrament: A Re-Reading9 cited
• 1997Medieval Drama as Documentation: “Real Presence” in the Croxton Conversion of Ser Jonathas the Jewe by the Myracle of the Blissed Sacrament7 cited
• 1977Devotional Iconography in the N-Town Marian Plays5 cited
• 1999Spiritual Virgin to Virgin Mother: The Confessions of Margery Kempe4 cited
• 2018Eating people and the alimentary logic of Richard Coeur de Lion4 cited
• 2012Consuming Childhood: Sir Gowther and National Library of Scotland MS Advocates 19.3.13 cited