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Heterotopia, heterochronia: place and time in cinema memory
0 references·9 citing·29 second hop
Heterotopia, heterochronia: place and time in cinema memory (2004)Heterotopia, heterochronia: place and tim…Comparative, Entangled, Parallel and ‘Other’ Cinema Histories. Another Reflection on the Comparative Mode Within New Cinema History (2020)Comparative, Entangled, Paral…Challenges to Comparative Oral Histories of Cinema Audiences (2020)Challenges to Comparative Ora…SİNEMASAL MEKÂNLAR VE SİNEMASAL MEKÂNLARIN ÇÖZÜMLENMESİ (2019)SİNEMASAL MEKÂNLAR VE SİNEMAS…Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s (2017)Mapping cinema memories: Emot…Film at the border: Memories of cinemagoing in Laredo, Texas (2017)Film at the border: Memories …‘Feel the film’: Film projectionists and professional memory (2017)‘Feel the film’: Film project…Urban Place as a Heterochronotopia: A Case Study of a Brno Locality (2016)Urban Place as a Heterochrono…CINEMAGOING AS A CONDITIONAL PART OF EVERYDAY LIFE (2013)CINEMAGOING AS A CONDITIONAL …What to Do with Cinema Memory? (2011)What to Do with Cinema Memory?5. The Practice of Everyday Life (2000)Everyday Life and Cultural Theory (2002)The Practice in Everyday Life (2020)The Peculiarities of Oral History* (1981)Psychoanalysis and Cinema (1982)Family Secrets: Acts of Memory and Imagination (1995)CINEMAGOING AS A HETEROGENEOUS AND MULTIDIMENSIONAL STRATEGY: NARRATIVES OF WOMAN SPECTATORS (2017)Marxism and Literature (1978)Defining place attachment: A tripartite organizing framework (2009)THE PRACTICE OF EVERYDAY LIFE (2018)Writing Cinema Histories with Digital Databases (2018)Bridging the digital divide: Older adults’ engagement with online cinema heritage (2019)Borders and Boundaries of State and Self at the End of Empire (1991)An Everyday Magic (2002)Memory and popular film (2003)Frames of Remembrance: The Dynamics of Collective Memory. (1995)Communities of Practice (1998)On the prospect of writing cinema history from below (2006)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)Reassembling the Social (2005)Place and Placelessness (1978)Postmodern geographies: the reassertion of space in critical social theory (1989)Postmetropolis: Critical Studies of Cities and Regions (2000)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)What Makes Oral History Different (2009)Constructing grounded theory (2014)An Everyday Magic : Cinema and Cultural Memory (2002)New cinema history and the comparative mode (2016)Memories of cinemagoing and film experience: An introduction (2017)
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Cited by

  • 2011What to Do with Cinema Memory?26 cited
  • 2019SİNEMASAL MEKÂNLAR VE SİNEMASAL MEKÂNLARIN ÇÖZÜMLENMESİ18 cited
  • 2017Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s12 cited
  • 2020Challenges to Comparative Oral Histories of Cinema Audiences10 cited
  • 2013CINEMAGOING AS A CONDITIONAL PART OF EVERYDAY LIFE9 cited
  • 2020Comparative, Entangled, Parallel and ‘Other’ Cinema Histories. Another Reflection on the Comparative Mode Within New Cinema History8 cited
  • 2017Film at the border: Memories of cinemagoing in Laredo, Texas8 cited
  • 2017‘Feel the film’: Film projectionists and professional memory6 cited
  • 2016Urban Place as a Heterochronotopia: A Case Study of a Brno Locality5 cited

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