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Towards a Popular Music Criticism of Replenishment
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Towards a Popular Music Criticism of Replenishment (2011)Towards a Popular Music Criticism of Repl…Audio Culture: Readings in Modern Music (2004)Audio Culture: Readings in Mo…"Every sound there is": the Beatles' Revolver and the transformation of rock and roll (2002)"Every sound there is": the B…The Cambridge Companion to Pop and Rock (2001)The Cambridge Companion to Po…Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…The Beatles as Musicians: The Quarry Men Through Rubber Soul (1999)The Beatles as Musicians: The…The Beatles as musicians: Revolver through the Anthology (1999)The Beatles as musicians: Rev…Dancing in Spite of Myself (1997)Dancing in Spite of MyselfThe western canon: the books and school of the ages (1995)The western canon: the books …Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…Late Marxism: Adorno, or, the Persistence of the Dialectic (1990)Late Marxism: Adorno, or, the…Required Writing: Miscellaneous Pieces, 1955-1982 (1984)Required Writing: Miscellaneo…Contingencies of Value (1983)Contingencies of ValueBeginnings: Intention and Method (1978)Beginnings: Intention and Met…Beginnings: Intention and Method. (1976)Beginnings: Intention and Met…Lectures and Essays in Criticism (1962)Lectures and Essays in Critic…Labyrinths: Selected Stories and Other Writings (1962)Labyrinths: Selected Stories …Postmodernism and the Social Sciences (1992)Critical pedagogy and predatory culture (1994)The New Sociology of Knowledge (1994)Principles of Literary Criticism (2003)Witnessing (2001)Against Intellectual Monopoly (2008)Assessment Sensitivity: Relative Truth and its Applications (2014)Wisdom, intelligence, and creativity synthesized (2004)Transportation and Need for Affect in Narrative Persuasion: A Mediated Moderation Model (2010)Epistemologies of the South (2015)The University and the Undercommons (2004)Re-thinking the `Good Life` (2007)Max Horkheimer and the Foundations of the Frankfurt School (2011)Territoriality and beyond: problematizing modernity in international relations (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Toward a Theory of Gender (2013)The Ceremony Must be Found: After Humanism (1984)Inventing the University (2005)No One is Illegal Between City and Nation (2011)Playing with Race:Right to Playand the Production of Whiteness in ‘Development through Sport’ (2007)Space, Knowledge and Power (2016)Beyond Representation and Signification: Toward a Sonic Materialism (2011)The Theology of Sound: A Critique of Orality (2011)Afrofuturism: The World of Black Sci-Fi and Fantasy Culture (2013)Rethinking the music industry (2007)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Decomposed: a political ecology of music (2015)Classification as Culture: Types and Trajectories of Music Genres (2008)Looking for work in creative industries policy (2009)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)
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References

  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1995The western canon: the books and school of the ages1,112 cited
  • 1962Labyrinths: Selected Stories and Other Writings766 cited
  • 1990Late Marxism: Adorno, or, the Persistence of the Dialectic615 cited
  • 2004Audio Culture: Readings in Modern Music605 cited
  • 1976Beginnings: Intention and Method.475 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1978Beginnings: Intention and Method379 cited
  • 2001The Cambridge Companion to Pop and Rock300 cited
  • 1983Contingencies of Value300 cited
  • 1997Dancing in Spite of Myself218 cited
  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 1999The Beatles as Musicians: The Quarry Men Through Rubber Soul196 cited
  • 1984Required Writing: Miscellaneous Pieces, 1955-1982126 cited
  • 1962Lectures and Essays in Criticism122 cited
  • 2002"Every sound there is": the Beatles' Revolver and the transformation of rock and roll119 cited

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