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“Blessed be the tie that binds”: community and spirituality among Sacred Harp singers
7 references·3 citing·44 second hop
“Blessed be the tie that binds”: community and spirituality among Sacred Harp singers (2004)“Blessed be the tie that binds”: communit…Music, culture and social movements: song and southern textile worker mobilization, 1929‐1934 (2002)Music, culture and social mov…Music into action: performing gender on the Viennese concert stage, 1790–1810 (2002)Music into action: performing…Aesthetic Identity, Race, and American Folk Music (2002)Aesthetic Identity, Race, and…After Heaven (1998)After HeavenGENDER ROLE ATTITUDES IN THE SOUTHERN UNITED STATES (1995)GENDER ROLE ATTITUDES IN THE …The Sacred Harp (1991)The Sacred HarpAn Eye for an Eye (1957)An Eye for an EyeMotivation of Adult, Auditioned Community Choirs: Implications toward Lifelong Learning (2016)Motivation of Adult, Audition…Singing the gospel: Using musical practices to build religious and racial communities (2012)Singing the gospel: Using mus…The Embodiment of Sound and Cohesion in Music (2005)The Embodiment of Sound and C…Classification in Art (1987)Creating Country Music (1997)Production perspectives in the sociology of music (2004)The Hardest Hate: A Sociological Analysis of Country Hate Music (2007)Virtuous marginality: Social preservationists and the selection of the old-timer (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Outline of a Theory of Practice (1977)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The Logic of Practice (1990)The Dynamics of Intense Work Groups: A Study of British String Quartets (1991)Thinking in Jazz (1994)Music in Everyday Life (2000)The Making of a Cultural Icon: The Electric Guitar (2014)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)The Ritual Process: Structure and Anti-Structure (1976)Frame Alignment Processes, Micromobilization, and Movement Participation (1986)STRUCTURAL POWER AND THE CONSTRUCTION OF MARKETS: THE CASE OF RHYTHM AND BLUES (2005)Collective Identity and Racial Thought in São Paulo’s Black Gospel Music Scene (2009)Music and the Cultural Production of Scale (2023)Change in U.S. Women's Sex-Role Attitudes, 1964-1974 (1976)ATTITUDES TOWARD WOMEN'S FAMILIAL ROLES: (1988)THE POLITICS OF WOMEN'S LIBERATION (2002)Context Matters: Effects of the Proportion of Fundamentalists on Gender Attitudes (2003)Emotional responses to work-family conflict: An examination of gender role orientation among working men and women. (2008)Region, Social Identities, and Disclosure Practices as Predictors of Heterosexist Discrimination Against Sexual Minorities in the United States (2013)Studying Popular Music (1990)Interpretation and Overinterpretation (1992)All that jazz: The success of jazz musicians in three metropolitan areas (2009)The spiritual organization: critical reflections on the instrumentality of workplace spirituality (2010)Depending on music to feel better: Being conscious of responsibility when appropriating the power of music (2013)Intrinsic Motivation and Self-Determination in Human Behavior (1985)Intrinsic Motivation and Self-Determination in Human Behavior (1988)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)The Relationship between Motivation, the Use of Mobile Devices and Satisfaction with Life for Older Farmers (2017)The benefits of choral singing: A study of Italian university choirs (2018–19) (2024)Transfer as a second-language strategy (1983)Beyond bin Laden: Reshaping U.S. Foreign Policy (2002)Twenty Theses on Politics (2008)A belated salute to the ‘old way’ of ‘snaking’ the voice on its (ca) 345th birthday (1989)A dramatistic theory of apocalyptic rhetoric (1993)Stylistic combination and methodical construction in William Duckworth'sSouthern Harmony (2001)Modernization, Cultural Change, and the Persistence of Traditional Values (2000)The Psychology of Religion (2002)What is Spiritual Intelligence? (2002)
this work references cited by second hop

References

  • 1998After Heaven313 cited
  • 1995GENDER ROLE ATTITUDES IN THE SOUTHERN UNITED STATES143 cited
  • 1957An Eye for an Eye140 cited
  • 2002Music into action: performing gender on the Viennese concert stage, 1790–181092 cited
  • 2002Aesthetic Identity, Race, and American Folk Music50 cited
  • 2002Music, culture and social movements: song and southern textile worker mobilization, 1929‐193419 cited
  • 1991The Sacred Harp13 cited

Cited by

  • 2012Singing the gospel: Using musical practices to build religious and racial communities9 cited
  • 2016Motivation of Adult, Auditioned Community Choirs: Implications toward Lifelong Learning7 cited
  • 2005The Embodiment of Sound and Cohesion in Music4 cited

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