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Cited by

• 2020The Natural Body in Somatics Dance Training81 cited
• 2001Multiple Uses of Mental Imagery by Professional Modern Dancers74 cited
• 1992The neurophysiologic basis of the mind-body connection in dance/movement therapy61 cited
• 1997Imagery and Conditioning Practices for Dancers58 cited
• 2008Effects of Mental Imagery Styles on Shoulder and Hip Rotations During Preparation of Pirouettes51 cited
• 1990The Use of Imagery by Dance Teachers—Development and Implementation of Two Research Instruments45 cited
• 2004Integrating Fundamental Principles Underlying Somatic Practices into the Dance Technique Class45 cited
• 2012Performance Psychology in the Performing Arts43 cited
• 2008Visual versus kinesthetic mental imagery: Efficacy for the retention and transfer of a closed motor skill in young children.36 cited
• 2022Anthropology of proprioception: Endurance and collectivity on unstable grounds in postrevolutionary Cairo29 cited
• 1995When Seeing Is Believing: The Changing Role of Visuality in a Philippine Dance21 cited
• 2023The perspective of trainers on the use of imagination in singing training3 cited
• 2003Relações entre imagem corporal e qualidades de movimento0 cited