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Charlie is so ‘English’-like: nationality and the branded celebrity person in the age of YouTube
16 references·4 citing·36 second hop
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References

  • 2004Interaction Ritual Chains4,713 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1998Art And Agency3,452 cited
  • 1992The Ethics of Authenticity3,162 cited
  • 1967The Savage Mind.2,473 cited
  • 2010Production, Consumption, Prosumption2,074 cited
  • 1965Structural Anthropology1,580 cited
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  • 1997Celebrity and power: fame in contemporary culture1,195 cited
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  • 1959The Presentation of Self in Everyday Life. Harmondsworth (Penguin) 1959.608 cited
  • 2004Brands587 cited
  • 2010Ordinary People and the Media: The Demotic Turn578 cited
  • 2010The promotion and presentation of the self: celebrity as marker of presentational media505 cited

Cited by

  • 2019The relations between YouTube addiction, social anxiety and parasocial relationships with YouTubers: A moderated-mediation model based on a cognitive-behavioral framework

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179 cited
  • 2019‘Zoella hasn’t really written a book, she’s written a cheque’: Mainstream media representations of YouTube celebrities27 cited
  • 2017The tragedy of self in digitised popular culture: the existential consequences of digital fame on YouTube18 cited
  • 2022China's International Communication and Relationship Building14 cited