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When the Music's Over: The Story of Political Pop
0 references·15 citing·53 second hop
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  • 2008The Voice of the People? Musicians as Political Actors40 cited
  • 2010Bourdieu, Language and the Media36 cited
  • 1999John Dewey, Art and Public Life33 cited
  • 1991Semiotics as a Method for the Study of Popular Music27 cited
  • 1994’Africa civilised, Africa uncivilised’: local culture, world system and South African music23 cited
  • 2013The Sound of Geopolitics: Popular Music and Political Rights23 cited
  • 2012From ‘Dead End Streets’ to ‘Shangri Las’: Negotiating Social Class and Post-War Politics with Ray Davies and the Kinks22 cited
  • 2001Music, radio and the record business in Zimbabwe today19 cited
  • 2012‘The Age of the Beatles’: Parliament and Popular Music in the 1960s18 cited
  • 2005'The Manchester Rambler': Ewan MacColl and the 1932 Mass Trespass12 cited
  • 1993Designing a Teaching Model for Popular Music12 cited
  • 1995Musical Words, Musical Worlds6 cited
  • 1995Popular music and censorship in Britain: An overview4 cited
  • 2017Class, Youth, and Dirty Jobs: The Working-Class and Post-War Britain in Pete Townshend’s Quadrophenia4 cited
  • 2017The enduring culture and limits of political song

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3 cited