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From Gospel to Gates: Modal Blending in African-American Musical Discourse before the Signifyin(g) Monkey
16 references·0 citing·28 second hop
From Gospel to Gates: Modal Blending in African-American Musical Discourse before the Signifyin(g) Monkey (2011)From Gospel to Gates: Modal Blending in A…From Black Power to Black Studies (2010)From Black Power to Black Stu…Africana: the encyclopedia of the African and African American experience (2005)Africana: the encyclopedia of…Race music: black cultures from bebop to hip-hop (2004)Race music: black cultures fr…Blue Nippon: authenticating jazz in Japan (2002)Blue Nippon: authenticating j…Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age (2001)Yellow Music: Media Culture a…The Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…The power of black music: interpreting its history from Africa to the United States (1995)The power of black music: int…Music as Cultural Practice, 1800-1900 (1991)Music as Cultural Practice, 1…Constructing the Jazz Tradition: Jazz Historiography (1991)Constructing the Jazz Traditi…The politics of postmodernism (1990)The politics of postmodernismThe Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…Modernism and the Harlem Renaissance (1987)Modernism and the Harlem Rena…Modernism and the Harlem Renaissance (1987)Modernism and the Harlem Rena…African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms (1980)African Rhythm and African Se…Talkin and Testifyin: The Language of Black America (1977)Talkin and Testifyin: The Lan…Understanding the New Black Poetry: Black Speech and Black Music As Poetic References (1973)Understanding the New Black P…Affiliation and alienation: hip‐hop, rap, and urban science education (2009)“This voice which is not one”: Amy Winehouse sings the ballad of sonic blue(s)face culture (2010)Loving Music Till It Hurts (2019)An Anthropological Analysis of Student Participation in College (1992)Postcoloniality and the Artifice of History: Who Speaks for "Indian" Pasts? (1992)Fertile Obsession: Validity After Poststructuralism (1993)Genre, Intertextuality, and Social Power (1992)Chapter 1: Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)8. Preparing for Culturally Responsive Teaching (2002)Undoing Appropriateness: Raciolinguistic Ideologies and Language Diversity in Education (2015)Unsettling race and language: Toward a raciolinguistic perspective (2017)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK (1997)Collective Identity and the Burden of “Acting White” in Black History, Community, and Education (2004)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)A Political Mediation Model of Corporate Response to Social Movement Activism (2008)Interdisciplinarity: A Critical Assessment (2009)A Theory of Racialized Organizations (2019)Jazz Among the Discourses (1995)Uptown Conversation (2004)Notes from the Surface of the Image (2003)When Is a Photograph Worth a Thousand Words? (2003)The Myths That Made America : An Introduction to American Studies (2014)The Cambridge History of American Music (1998)Specters of Democracy (2011)
this work references cited by second hop

References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 1977Talkin and Testifyin: The Language of Black America1,374 cited
  • 1990The politics of postmodernism1,232 cited
  • 1987Modernism and the Harlem Renaissance967 cited
  • 1995The power of black music: interpreting its history from Africa to the United States390 cited
  • 1991Constructing the Jazz Tradition: Jazz Historiography385 cited
  • 2004Race music: black cultures from bebop to hip-hop379 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.331 cited
  • 1987Modernism and the Harlem Renaissance309 cited
  • 2010From Black Power to Black Studies282 cited
  • 2002Blue Nippon: authenticating jazz in Japan242 cited
  • 2005Africana: the encyclopedia of the African and African American experience236 cited
  • 1991Music as Cultural Practice, 1800-1900232 cited
  • 2001Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age224 cited
  • 1980African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms178 cited
  • 1973

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Understanding the New Black Poetry: Black Speech and Black Music As Poetic References
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