Piers Plowman, Diversity, and the Medieval Political Aesthetic

Abstract

ABSTRACT This essay argues that later medieval English poetry, and William Langland's Piers Plowman in particular, developed strains of political thought that originated with Continental legal scholars. More specifically, Langland, in concert with other fourteenth-century alliterative poets, helped shape political thought about diversity, an “unfinished” project of earlier Continental philosophers and jurists, through radical experiments in poetic form.

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