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"In the Hearth of the Virginal Womb": The Iconography of the Holocaust in Late Medieval Art
9 references·2 citing·27 second hop
"In the Hearth of the Virginal Womb": The Iconography of the Holocaust in Late Medieval Art (1981)"In the Hearth of the Virginal Womb": The…French Painting in the Time of Jean de Berry. The Limbourgs and Their Contemporaries (1981)French Painting in the Time o…Circumdederunt Me Canes Multi: Christ's Tormentors in Northern European Art of the Late Middle Ages and Early Renaissance (1977)Circumdederunt Me Canes Multi…Rogier van der Weyden, an Essay with a Critical Catalogue of Paintings Assigned to Him and to Robert Campin (1975)Rogier van der Weyden, an Ess…The Christ Child as Sacrifice: A Medieval Tradition and the Corpus Christi Plays (1973)The Christ Child as Sacrifice…Early Netherlandish painting (1972)Early Netherlandish paintingIconography of Christian art (1971)Iconography of Christian artThe Theme of the Mérode Altarpiece (1969)The Theme of the Mérode Altar…French Painting in the Time of Jean De Berry: The Boucicaut Master (1968)French Painting in the Time o…The Iconographic Development of the Presentation in the Temple (1946)The Iconographic Development …Le sang et le lait dans l’imaginaire médiéval (2013)Le sang et le lait dans l’ima…Iconographic mode in campin's London Madonna (1986)Iconographic mode in campin's…Law, Sex, and Christian Society in Medieval Europe (1987)Making Sex: Body and Gender from the Greeks to Freud (1994)What do pictures want?: the lives and loves of images (2006)Image, Text, and Religious Reform in Fifteenth-Century England (2010)The New Cambridge History of the Bible (2012)God, Sexuality, and the Self: An Essay 'On the Trinity' (2013)II.—English Alabaster Carvings as Records of the Medieval Religious Drama (1949)PAINTINGS FOR DOMINICAN NUNS: A NEW LOOK AT THE IMAGES OF SAINTS, SCENES FROM THE NEW TESTAMENT AND APOCRYPHA, AND EPISODES FROM THE LIFE OF SAINT CATHERINE OF SIENA IN THE MEDIEVAL APSE OF SAN SISTO VECCHIO IN ROME (2012)The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance (2017)Muscipula Diaboliand medieval English Antifeminism (1989)Sztuka Burgundii i Niderlandów 1380-1500. T. II: Niderlandzkie malarstwo tablicowe 1430-1500 (2011)The Vase in Paintings of the Annunciation, a Polyvalent Symbol of the Virgin Mary (2022)Eye for an eye (2005)“What Man Artow?”: Authorial Self-Definition in the Tale of Sir Thopas and the Tale of Melibee (2006)Childhood, Youth and Religious Dissent in Post-Reformation England (2014)“Man in the Middle”: Art and Religion in Chaucer’s Friar’s Tale (1990)ADDITIONS TO ILLUSTRATED MANUSCRIPTS IN OTTOMAN WORKSHOPS (2000)Slaves and Roman Comedy (2019)Sacred Blood and the Late Medieval Stage (1997)The Pseudo-Bonaventure Meditaciones vite Christi: Opus Integrum (1998)The Phenomenal Lives of Movable Christ Sculptures (2006)Representations of the Mass in Medieval and Renaissance Art (1978)The System of Early Modern Painting (1998)Iconology of the interval: Aby Warburg's legacy (2001)Devotional Iconography in the N-Town Marian Plays (1977):The Spitz Master: A Parisian Book of Hours (2006)“The Foot on Which He Limps”: Jean Gerson and the Rehabilitation of Jean de Meun in Arsenal 3339 (2012)
this work references cited by second hop

References

  • 1971Iconography of Christian art256 cited
  • 1981French Painting in the Time of Jean de Berry. The Limbourgs and Their Contemporaries71 cited
  • 1973The Christ Child as Sacrifice: A Medieval Tradition and the Corpus Christi Plays51 cited
  • 1968French Painting in the Time of Jean De Berry: The Boucicaut Master36 cited
  • 1946The Iconographic Development of the Presentation in the Temple31 cited
  • 1972Early Netherlandish painting28 cited
  • 1977Circumdederunt Me Canes Multi: Christ's Tormentors in Northern European Art of the Late Middle Ages and Early Renaissance24 cited
  • 1969The Theme of the Mérode Altarpiece9 cited
  • 1975Rogier van der Weyden, an Essay with a Critical Catalogue of Paintings Assigned to Him and to Robert Campin5 cited

Cited by

  • 2013Le sang et le lait dans l’imaginaire médiéval9 cited
  • 1986Iconographic mode in campin's London Madonna1 cited

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