Bristol and the eruption of memory: Making the slave-trading past visible

Abstract

This article describes the work undertaken by the public authorities of Bristol to construct, for this old slaving port, a collective memory of the trade in Africans. It shows how the use of urban space is necessary to resurrect that past and implies a visual model to inform a new gaze on the city. Through intensive action on the memory of slavery, the author suggests, from the work of Paul Ricoeur, the passage from silence to 'too much memory'. This excess can be viewed as the result of a political instrumentalization linked to the requirements of the British multicutural model. Further, these actions on memory reveal distinctly divergent intentions for the different communities of the city.

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