The temple, the town-office and the migrant: demographic pluralism in rural Japan

Abstract

One widespread image of Japanese internal migration is to be found in a well-known balladKita kuni no haru, ‘The northern country spring’, one of the biggest hits of Japanese popular music in the 1970s. The ballad is about a man reflecting on hisfurusato, the rural hometown from which he migrated to the city.

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