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Transposition in Monteverdi's Vespers of 1610: An ‘aberration’ defended
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Transposition in Monteverdi's Vespers of 1610: An ‘aberration’ defended (1984)Transposition in Monteverdi's Vespers of …The performance of polyphony in early 16th-century Italian convents (2017)The performance of polyphony …Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerPerformance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…Monteverdi: onwards and downwards (2004)Monteverdi: onwards and downw…Modulatory Techniques in Seventeenth-Century Music: Schutz, a Case in Point (1993)Modulatory Techniques in Seve…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)A Florentine Wedding of 1608 (1983)Analysis by Key: Another Look at Modulation (1987)Le Istitutioni Harmoniche (1967)Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth-Century France (1989)Venice: A Documentary History, 1450-1630 (1993)Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex (2017)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)
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Cited by

  • 2004Monteverdi: onwards and downwards38 cited
  • 2017The performance of polyphony in early 16th-century Italian convents21 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 1993Modulatory Techniques in Seventeenth-Century Music: Schutz, a Case in Point6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited

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