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Bodies in place: location as collaborator in dance film
16 references·1 citing·34 second hop
Bodies in place: location as collaborator in dance film (2014)Bodies in place: location as collaborator…Envisioning Dance on Film and Video (2013)Envisioning Dance on Film and…Screendance: Inscribing the Ephemeral Image (2012)Screendance: Inscribing the E…Screendance (2012)ScreendanceDancefilm: Choreography and the Moving Image (2011)Dancefilm: Choreography and t…Dancefilm (2011)DancefilmChoreographing empathy: kinesthesia in performance (2011)Choreographing empathy: kines…Site-Specific Performance (2010)Site-Specific PerformanceChoreographing Empathy (2010)Choreographing EmpathyFilm Narratology (2009)Film NarratologyNew Vocabularies in Film Semiotics (2005)New Vocabularies in Film Semi…Dance on Screen: Genres and Media from Hollywood to Experimental Art (2003)Dance on Screen: Genres and M…Narrative Inquiry: More Than Just Telling Stories (2002)Narrative Inquiry: More Than …Mapping the Terrain: a Survey of Site-Specific Performance in Britain (2002)Mapping the Terrain: a Survey…Dance, Space and Subjectivity (2001)Dance, Space and SubjectivitySite-Specific Art: Performance, Place and Documentation (2000)Site-Specific Art: Performanc…New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and beyond (1994)New Vocabularies in Film Semi…Location, Location, Location: Dance Film and Site-Specific Dance (2016)Location, Location, Location:…Ways with Words: Language, Life and Work in Communities and Classrooms (1984)Narrative Inquiry: Experience and Story in Qualitative Research (1999)Narrative frames for investigating the experiences of language teachers (2008)Narrative Knowledging in TESOL (2011)Reflective Practitioner (2014)The pains of desistance (2016)Marxism and the philosophy of language (1973)Visual Pleasure and Narrative Cinema (1975)How can exploratory learning with games and simulations within the curriculum be most effectively evaluated? (2005)Diegetic/Nondiegetic: A Theoretical Model (2009)Points, stories, worlds, and diegesis: Comparing player experiences in two citizen science games (2015)Course in General Linguistics (2017)Geography and art. An expanding field (2012)Rethinking Mobile Methods (2013)The Temporality of the Landscape Revisited (2016)Vision, Media, Noise and the Percolation of Time (2006)The Cambridge Introduction to Theatre Studies (2008)Porn Style? Space and Time in Live Opera Videos (2010)Writing for the Body (2011)Music, dance and the total art work: choreomusicology in theory and practice (2012)Sound and Geographic Visualization (1994)Moving Pictures (1999)Introduction: Towards a Narratology of TV Series (2005)Moving Institutional Logics Forward: Emotion and Meaningful Material Practice (2017)Reinventing critical pedagogy as decolonizing pedagogy: The education of empathy (2018)Between and within choreographies: An early choreographic object by William Forsythe (2020)Intimate Encounters: Screendance and Surveillance (2017)Critical Disability Studies and the Question of Palestine (2023)Differential Being and Emergent Agitation (2023)Moving in and out of synchrony: A concept for a new intervention fostering empathy through interactional movement and dance (2012)Gestural Imaginaries (2019)Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring (2018)Choreography Invisible (2020)Theatre without theatres: Investigating access barriers to mediatized theatre and digital liveness during the covid-19 pandemic (2022)
this work references cited by second hop

References

  • 2002Narrative Inquiry: More Than Just Telling Stories653 cited
  • 2011Choreographing empathy: kinesthesia in performance419 cited
  • 2000Site-Specific Art: Performance, Place and Documentation337 cited
  • 2005New Vocabularies in Film Semiotics289 cited
  • 1994New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and beyond281 cited
  • 2010Choreographing Empathy227 cited
  • 2010Site-Specific Performance217 cited
  • 2011Dancefilm114 cited
  • 2012Screendance: Inscribing the Ephemeral Image83 cited
  • 2013Envisioning Dance on Film and Video82 cited
  • 2002Mapping the Terrain: a Survey of Site-Specific Performance in Britain69 cited
  • 2012Screendance62 cited
  • 2001Dance, Space and Subjectivity57 cited
  • 2011Dancefilm: Choreography and the Moving Image54 cited
  • 2009Film Narratology54 cited
  • 2003Dance on Screen: Genres and Media from Hollywood to Experimental Art49 cited

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  • 2016

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Location, Location, Location: Dance Film and Site-Specific Dance
8 cited