SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sex Role Standards in Popular Music
0 references·9 citing·41 second hop
Sex Role Standards in Popular Music (1984)Sex Role Standards in Popular MusicWomen's studies and popular music stereotypes (1999)Women's studies and popular m…Images of women in popular song lyrics: A bibliography (1998)Images of women in popular so…“Don't say Nothin' bad about my baby”: A re‐evaluation of women's roles in the Brill building era of early rock ‘n’ roll (1996)“Don't say Nothin' bad about …When the Brill building met Lennon‐McCartney: Continuity and change in the early evolution of the mainstream pop song (1995)When the Brill building met L…From Disco Divas to the material girls: Who's ruling the charts? (1991)From Disco Divas to the mater…Constructing personality and social reality through music: Individual differences among fans of punk and heavy metal music (1991)Constructing personality and …New Lyrics by Women: A Feminist Alternative (1990)New Lyrics by Women: A Femini…JUST ME AND THE BOYS? (1990)JUST ME AND THE BOYS?The changing role of women executives in the recording industry (1988)The changing role of women ex…On Record: Rock, Pop and the Written Word (1990)Feminine Endings: Music, Gender, and Sexuality (1992)Blues legacies and black feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday (1998)Outsiders; studies in the sociology of deviance (1963)Outsiders Studies in the Sociology of Deviance. (1966)Masculinity and skill acquisition in the adolescent rock band (1999)Friends Don't Let Friends Listen to Corporate Rock (2007)Qualitative Sociology (2017)The Social Construction of Gender (2018)Availability: A heuristic for judging frequency and probability (1973)Judgment under Uncertainty: Heuristics and Biases (1975)The need for cognition. (1982)The importance of music to adolescents (2000)The dark triad and normal personality traits (2005)A behavioral genetic investigation of the Dark Triad and the Big 5 (2007)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Cycles in Symbol Production: The Case of Popular Music (1975)Where the Girls Are: Growing up Female with the Mass Media. (1995)The "Illusion of Life" rhetorical perspective: an integrated approach to the study of music as communication (2001)Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–1990 (2005)Transformation in Cultural Industries (2005)All You Need Is Ears (1979)The complete Beatles recording sessions : the official story of the Abbey Road years (1988)Off the Record: An Oral History of Popular Music (1989)Lennon‐McCartney and the “Middle Eight” (1996)The beatles, the Brill building, and the persistence of Tin Pan Alley in the age of rock (1996)Conceptualizing Creativity and Strategy in the Work of Professional Songwriters (2017)Popular Music: Who Are the Recording Artists? (1982)Men and women as portrayed in the lyrics of contemporary music (1983)Women in popular music: A quantitative analysis of feminine images over time (1985)Meanings of the home in popular song lyrics: A feminist critique examining rock and country music (1997)Making time stand still (2010)The Thieves of Language: Women Poets and Revisionist Mythmaking (1982)The New Feminist Criticism (1985)Webster’s New World Dictionary (1989)Women: A Feminist Perspective (1980)Spice World: Constructing Femininity the Popular Way (2003)The Female Pop Singer and the “Apprentice” Girl (2010)Sociological Approaches to the Pop Music Phenomenon (1971)Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Popular Music: Concentration and Diversity in the Industry, 1974–1980 (1982)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1991Constructing personality and social reality through music: Individual differences among fans of punk and heavy metal music104 cited
  • 1990JUST ME AND THE BOYS?51 cited
  • 1996“Don't say Nothin' bad about my baby”: A re‐evaluation of women's roles in the Brill building era of early rock ‘n’ roll38 cited
  • 1990New Lyrics by Women: A Feminist Alternative15 cited
  • 1988The changing role of women executives in the recording industry13 cited
  • 1995When the Brill building met Lennon‐McCartney: Continuity and change in the early evolution of the mainstream pop song11 cited
  • 1998Images of women in popular song lyrics: A bibliography8 cited
  • 1991From Disco Divas to the material girls: Who's ruling the charts?6 cited
  • 1999Women's studies and popular music stereotypes4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work