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Comical Conflations: Racial Identity and the Science of Photography
16 references·1 citing·30 second hop
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this work references cited by second hop

References

  • 1997Imperial Leather: Race, Gender and Sexuality in the Colonial Contest2,601 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1936The National Geographic Magazine748 cited
  • 2001Blind Memory: Visual Representations of Slavery in England and America, 1780-1865622 cited
  • 1852Uncle Tom's cabin, or, Life among the lowly491 cited
  • 2017All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916447 cited
  • 1969White Over Black: American Attitudes Toward the Negro, 1550-1812345 cited
  • 1999Picturing Empire: Photography and the Visualization of the British Empire283 cited
  • 2002Slavery, Empathy And Pornography249 cited
  • 1979Colour, Class, and the Victorians: English Attitudes to the Negro in the Mid-Nineteenth Century242 cited
  • 1851Researches Into the Physical History of Man237 cited
  • 1997:Things of Darkness: Economies of Race and Gender in Early Modern England218 cited
  • 1977Blacking Up: The Minstrel Show in Nineteenth-Century America192 cited
  • 2003The Black Female Body: A Photographic History165 cited
  • 1992Acts of supremacy: the British Empire and the stage, 1790-1930

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152 cited
  • 2003Slavery, empathy, and pornography133 cited
  • Cited by

    • 2024The history of science through the prism of race6 cited