Driving Deeper into That Thing: The Humanity of Heiner Goebbels's Stifters Dinge

Gelsey Bell

8 citations0/0 files storedTDR/The Drama Review

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theatre and Performance Studies Musicology and Musical Analysis German Literature and Culture Studies

Abstract

Heiner Goebbels's music theatre work Stifters Dinge is a performance without human performers, a “no-man show” in which things are the thing. In its exhibition of mobile scenic elements and automated musical instruments, it is a meditation on objecthood, materality, and the environment that nevertheless reveals a humanity at its center.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 8 citations exist upstream.

References

2003The Poetics of Space:2007Spaces speak, are you listening?: experiencing aural architecture 2002A Shock to Thought: Expression after Deleuze and Guattari 1999The voice in cinema 1978Samuel Beckett: A Biography 1993Fires in the Mirror: Crown Heights, Brooklyn and Other Identities 1992Tuning, Containing the Perfection of Eighteenth-Century Temperament, the Lost Art of Nineteenth-Century Temperament and the Science of Equal Temperament

Cited by

2020Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.