Schenker Studies 2

Abstract

Abbreviated references to Schenker's writings Preface Part I. Archival Studies: 1. Levels of understanding: an introduction to Schenker's Nachlass Robert Kosovsky 2. When 'Freier Satz' was part of Kontrapunkt: a preliminary report Hedi Siegel 3. Schenker's unpublished work with the music of Johannes Brahms Allen Cadwallader and William Pastille Part II. Analytical Studies: 4. C. P. E. Bach and the fine art of transposition Wayne Petty 5. Comedy and structure in Haydn's symphonies L. Poundie Burstein 6.'Symphonic breadth': structural style in Mozart's symphonies David Gagne 7. 'Structural momentum' and closure in Chopin's Nocturne Op. 9, No. 2 John Rink 8. On the first movement of Sibelius's Fourth Symphony: a Schenkerian view Edward Laufer 9. Voice leading as drama in Wozzeck Arthur Maisel 10. Sequential expansion and Handelian phrase rhythm Channan Willner 11. Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction Frank Samarotto 12. Diachronic transformation in a Schenkerian context: Brahms's Haydn Variations Timothy Jackson 13. Bass-line articulations of the Urlinie Eric Wen 14. Structure as foreground: 'das Drama des Ursatzes' Carl Schachter Index.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 26 citations exist upstream.