Reading Cinephilia inKikar Ha‐Halomot/Desperado Square, viewing the local and transnational in Sangam/confluence

Monika Mehta

4 citations0/0 files storedSouth Asian Popular Culture

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

South Asian Cinema and Culture Cinema History and Criticism Cinema and Media Studies

Abstract

The opening sequence of Benny Torati's Kikar Ha‐Halomot/Desperado Square (2000) shows a sparse and dusty landscape dotted with ramshackle houses. On an unpaved road, Yisrael‐the‐Indian, an aficiona...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 4 citations exist upstream.

References

1995On Unthinking Eurocentrism: Multiculturalism and the Media 1996Unthinking Eurocentrism: Multiculturalism and the Media 2001An Accented Cinema 2001An Accented Cinema : Exilic and Diasporic Filmmaking 2002Bollywood cinema: temples of desire 1990Israeli cinema: East/West and the politics of representation 2003The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena 1995Looks and frictions: essays in cultural studies and film theory

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.