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Parchman Women Write the Blues? What Became of Black Women’s Prison Music in Mississippi in the 1930s
12 references·0 citing·31 second hop
Parchman Women Write the Blues? What Became of Black Women’s Prison Music in Mississippi in the 1930s (2013)Parchman Women Write the Blues? What Beca…Lost Delta Found: Rediscovering the Fisk University-Library of Congress Coahoma County Study, 1941-1942 (2007)Lost Delta Found: Rediscoveri…Nobody knows where the blues come from : lyrics and history (2006)Nobody knows where the blues …Reds, Whites, and the Blues: Lawrence Gellert, "Negro Songs of Protest," and the Leftwing Folksong Revival of the 1930s and 1940s (2005)Reds, Whites, and the Blues: …Perceptions of New Orleans Voodoo: Sin, Fraud, Entertainment, and Religion (2002)Perceptions of New Orleans Vo…Africanizing anthropology: fieldwork, networks, and the making of cultural knowledge in central Africa (2002)Africanizing anthropology: fi…SEXUALITY, AUTHENTICITY AND THE MAKING OF THE BLUES TRADITION (2000)SEXUALITY, AUTHENTICITY AND T…Twice the Work of Free Labor: The Political Economy of Convict Labor in the New South. (1997)Twice the Work of Free Labor:…The most southern place on earth: the Mississippi Delta and the roots of regional identity (1993)The most southern place on ea…Modernity, Nostalgia, and Southern Folklore Studies: The Case of John Lomax (1992)Modernity, Nostalgia, and Sou…Presence and Representation: The Other and Anthropological Writing (1990)Presence and Representation: …Where I Was Born and Raised (1967)Where I Was Born and RaisedHoodoo in America (1931)Hoodoo in AmericaThe Country Blues (1959)The First Century of Blues: One Hundred Years of Hearing and Interpreting the Music and the Musicians (2007)Beale Street Blues? Tourism, Musical Labor, and the Fetishization of Poverty in Blues Discourse (2011)Race rebels: culture, politics, and the black working class (1995)Blues legacies and black feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday (1998)The Blues Image in the White Mind: Blues Historiography and White Romantic Racialism (2013)Domination and the Arts of Resistance (2017)The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914 (1974)Democratic Promise: The Populist Movement in America (1978)Towards a Definition of American Modernism (1987)Nostalgia and Cultural Memory in Barber's Knoxville: Summer of 1915 (2008)The American Stravinsky: the style and aesthetics of Copland's new American music, the early works, 1921-1938 (2012)Listening to the Lomax Archive (2021)Counter-urbanisation on the Zambian Copperbelt? Interpretations and Implications (2005)Witchcraft and Colonial Rule in Kenya, 1900–1955 (2011)Blinded by Sight: Divining the Future of Anthropology in Africa (2012)The Prison and the Gallows (2001)Toward an Anthropology of Prisons (2001)The Mass Criminalization of Black Americans: A Historical Overview (2020)Ethnographies as Texts (1982)Empowering Place: Multilocality and Multivocality (1992)The Legal Production of Mexican/Migrant “Illegality” (2004)Social Capital and Poor Communities (2003)Decolonization is not a metaphor (2012)When the Levee Breaks: Black Migration and Economic Development in the American South (2014)The Occult Revival as Popular Culture: Some Random Observations on the Old and the Nouveau Witch (1972)Yo' Mama's Disfunktional: Fighting the Culture Wars in Urban America (1998)Racial capitalism (2019)Envisioning Folklore Activism (2011)Shared Possessions: Black Pentecostals, Afro-Caribbeans, and Sacred Music (2012)“Like a Cry from the Heart”: An Insider’s View of the Genesis of Alan Lomax’s Ideas and the Legacy of His Research: Part I (2018)
this work references cited by second hop

References

  • 1997Twice the Work of Free Labor: The Political Economy of Convict Labor in the New South.392 cited
  • 1990Presence and Representation: The Other and Anthropological Writing276 cited
  • 1993The most southern place on earth: the Mississippi Delta and the roots of regional identity162 cited
  • 2002Africanizing anthropology: fieldwork, networks, and the making of cultural knowledge in central Africa147 cited
  • 1931Hoodoo in America126 cited
  • 1992Modernity, Nostalgia, and Southern Folklore Studies: The Case of John Lomax44 cited
  • 1967Where I Was Born and Raised30 cited
  • 2005Reds, Whites, and the Blues: Lawrence Gellert, "Negro Songs of Protest," and the Leftwing Folksong Revival of the 1930s and 1940s22 cited
  • 2000SEXUALITY, AUTHENTICITY AND THE MAKING OF THE BLUES TRADITION21 cited
  • 2007Lost Delta Found: Rediscovering the Fisk University-Library of Congress Coahoma County Study, 1941-194220 cited
  • 2002Perceptions of New Orleans Voodoo: Sin, Fraud, Entertainment, and Religion18 cited
  • 2006Nobody knows where the blues come from : lyrics and history14 cited

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