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The Diva's Fans: Opera and bodily participation
8 references·0 citing·27 second hop
The Diva's Fans: Opera and bodily participation (2011)The Diva's Fans: Opera and bodily partici…The Transformative Power of Performance (2008)The Transformative Power of P…Phänomenologie des Theaters (2008)Phänomenologie des TheatersLiveness (2008)LivenessLive Music Matters (2007)Live Music MattersDigital Performance (2007)Digital PerformanceOpera in the flesh: sexuality in operatic performance (1996)Opera in the flesh: sexuality…The queen's throat: opera, homosexuality, and the mystery of desire (1993)The queen's throat: opera, ho…The Pleasure of the Text (1973)The Pleasure of the TextThe Performing Arts: The Economic Dilemma (1973)Music talent, and performance: a conservatory cultural system (1988)Rockonomics: The Economics of Popular Music (2005)The 360 deal and the ‘new’ music industry (2013)Cultural value and cultural policy: some evidence from the world of live music (2014)The social and cultural values of live music: Sustaining urban live music ecologies (2019)Henry James and Queer Modernity (2003)Language and Sexuality (2003)Phonation type as a stylistic variable: The use of falsetto in constructing a persona1 (2007)Postmodernism and the Social Sciences (1992)Understanding Popular Culture (2006)The work of representation (2020)Reality and Fiction in Contemporary Theatre (2008)The Cambridge Companion to Opera Studies (2012)Improvisation in teaching and education—roots and applications (2016)In the here and now: Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance (2013)Sight over sound in the judgment of music performance (2013)Live-streaming, games and politics of gender performance: The case of Nüzhubo in China (2017)Choreographic Objects (2013)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Shakespeare, Spectatorship and the Technologies of Performance (2020)Opera in Performance--In Search of New Analytical Approaches (2011)The Theatre of the Virtual: How to Stage Potentialities with Merleau-Ponty (2014)Kulturelle Bildung als Antwortgeschehen. Zum Stellenwert der Phänomenologie für die kulturelle und ästhetische Bildung (2015)Popular Culture, Public and Private Fantasies: Femininity and Fetishism in David Cronenberg's "M. Butterfly" (1999)Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation (2004)Why Voice Now? (2015)
this work references cited by second hop

References

  • 1973The Pleasure of the Text1,140 cited
  • 2008The Transformative Power of Performance961 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 2008Liveness630 cited
  • 2007Digital Performance501 cited
  • 2007Live Music Matters75 cited
  • 1996Opera in the flesh: sexuality in operatic performance69 cited
  • 2008Phänomenologie des Theaters38 cited

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