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What's the Deal with Soundtrack Albums?: Metal Music and the Customized Aesthetics of Contemporary Horror
16 references·3 citing·30 second hop
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References

  • 1996Radical thought in Italy : a potential politics1,244 cited
  • 1988Unheard melodies: narrative film music1,038 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1997Post-Theory. Reconstructing Film Studies516 cited
  • 2006Brands: Meaning and Value in Media Culture474 cited
  • 1992Settling the Score: Music and the Classical Hollywood Film314 cited
  • 1999Breaking up America: Advertisers and the New Media World238 cited
  • 1986Horrality— The Textuality of Contemporary Horror Films185 cited
  • 2004Global Hollywood 2173 cited
  • 2003Hollywood from Vietnam to Reagan -- and beyond109 cited
  • 2005The Pleasures of Horror94 cited
  • 2000‘I'd sell you suicide’: pop music and moral panic in the age of Marilyn Manson87 cited
  • 2000The Sounds of Commerce: Marketing Popular Film Music.78 cited
  • 2005Working Watching: The Creative and Cultural Labor of the Media Audience40 cited
  • 1984Musique Fantastique: A Survey of Film Music in the Fantastic Cinema34 cited
  • 2005Horror film: creating and marketing fear

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32 cited

Cited by

  • 2022Threat cues in metal’s visual code4 cited
  • 2020Nameless, but not blameless: Motherhood in Finnish heavy metal music3 cited
  • 2020From The Wicker Man (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism3 cited