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'In the Name of God I Will Sing Again, Mawdo Malik the Good': Popular Music and the Senegalese Sufi Tariqas
3 references·7 citing·38 second hop
'In the Name of God I Will Sing Again, Mawdo Malik the Good': Popular Music and the Senegalese Sufi Tariqas (2000)'In the Name of God I Will Sing Again, Ma…The Shambhala guide to Sufism (1997)The Shambhala guide to SufismIslam and popular music in Senegal: the emergence of a ‘new tradition’ (1997)Islam and popular music in Se…The Mourides of Senegal: The Political and Economic Organization of an Islamic Brotherhood (1972)The Mourides of Senegal: The …Gratuité et entreprenariat Hip Hop au Sénégal : l’exemple du Festa 2H (2018)Gratuité et entreprenariat Hi…A mystical cosmopolitanism: Sufi Hip Hop and the aesthetics of Islam in Dakar (2017)A mystical cosmopolitanism: S…To Make Song Without Singing: Hip Hop and Popular Music in Senegal (2015)To Make Song Without Singing:…Baay Fall Sufi Da'iras: Voicing Identity Through Acoustic Communities (2014)Baay Fall Sufi Da'iras: Voici…Youssou N'Dour's Sant Yàlla/Egypt: a musical experiment in Sufi modernity (2011)Youssou N'Dour's Sant Yàlla/E…Fighting the Greater Jihad (2007)Fighting the Greater JihadSenegal (2004)SenegalIslamic Society and State Power in Senegal (1995)The Senegalese Murid Trade Diaspora and the Making of a Vernacular Cosmopolitanism (2000)Paths of accommodation: Muslim societies and French colonial authorities in Senegal and Mauritania, 1880-1920 (2001)“Baay is the spiritual leader of the rappers”: performing Islamic reasoning in Senegalese Sufi hip-hop (2016)Youssou N'dour: I Bring What I Love(2008) as a Window into the Frictions between Islam and Popular Music in Senegal (2019)The nominal and verbal systems of Fula (1970)Explorations in the Ethnography of Speaking (1989)The Development of Caste Systems in West Africa (1991)Political Topographies of the African State (2003)Political Topographies of the African State: Territorial Authority and Institutional Choice (2004)A History of African Popular Culture (2017)French ‘Islamic’ Policy and Practice in Late Nineteenth-Century Senegal (1988)Technology and the Production of Islamic Space: The Call to Prayer in Singapore (1999)Brotherhood solidarity, education and migration: The role of the Dahiras among the Murid muslim community of New York (2002)Popular Arts in Africa (1987)Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Mande music: traditional and modern music of the Maninka and Mandinka of western Africa (2001)Ears to the Ground: Realness, Decolonial Meta-Rap, and the Language Debate in Nigerian Hip-Hop (2024)The Theory of Social and Economic Organization. (1948)The Forms of Capital (2002)Are births just “women's business”? Gift exchange, value, and global volatility in Muslim Senegal (2011)Reframing Vernacular Culture on Arabic Fault Lines: Bamba, Senghor, and Sembene's Translingual Legacies in French West Africa (2015)Domination and the Arts of Resistance (2017)How To Do Things With Words (1975)The Dialogic Imagination: Four Essays (1981)Distinction: A Social Critique of the Judgement of Taste* (2018)Le griot et le pouvoir: Une relation ambiguë (1990)La mise en spectacle de l’identité nationale (2007)Hip Hop Africa (2012)African Islam and Islam in Africa: Encounters between Sufis and Islamists (1998)Instrumentalized rationality, cross-cultural mediators, and civil epistemologies of late colonialism (2010)Interweaving the Fabric of Urban Infrastructure: Senegalese City‐making in Rio de Janeiro (2020)States and Social Processes in Africa: A Historiographical Survey (1981)Why Vote with the Chief? Political Connections and Public Goods Provision in Zambia (2013)The Paradox of Traditional Chiefs in Democratic Africa (2015)Islamic art and architecture (2000)Sufism in the West (2006)God and Logic in Islam: The Caliphate of Reason (2010)
this work references cited by second hop

References

  • 1997The Shambhala guide to Sufism192 cited
  • 1972The Mourides of Senegal: The Political and Economic Organization of an Islamic Brotherhood162 cited
  • 1997Islam and popular music in Senegal: the emergence of a ‘new tradition’62 cited

Cited by

  • 2007Fighting the Greater Jihad134 cited
  • 2004Senegal34 cited
  • 2015To Make Song Without Singing: Hip Hop and Popular Music in Senegal14 cited
  • 2017A mystical cosmopolitanism: Sufi Hip Hop and the aesthetics of Islam in Dakar13 cited
  • 2011Youssou N'Dour's Sant Yàlla/Egypt: a musical experiment in Sufi modernity7 cited
  • 2018Gratuité et entreprenariat Hip Hop au Sénégal : l’exemple du Festa 2H4 cited
  • 2014Baay Fall Sufi Da'iras: Voicing Identity Through Acoustic Communities3 cited

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