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Cited by

• 2011Motive, gesture and the analysis of performance85 cited
• 1988The Rhetoric of Genre: Chopin's Nocturne in G Minor77 cited
• 2008A performer's creative processes: implications for teaching and learning musical interpretation55 cited
• 2003In Respect of Performance: The View from Musicology50 cited
• 1998Piano Technique and Fingering in the Eighteenth and Nineteenth Centuries: Bringing a Forgotten Method Back to Life33 cited
• 1992The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne33 cited
• 1993Pedaling the Piano: A Brief Survey from the Eighteenth Century to the Present23 cited
• 2023Translating musical meaning19 cited
• 2009On Voice Exchanges11 cited
• 2023Music in Profile7 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2010A BaroqueTräumerei: The Performance and Perception of two Violin Renditions6 cited
• 2016Attending to Free Rhythm5 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond