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First evidence for 1st century AD production of Egyptian blue frit in Roman Italy
13 references·12 citing·34 second hop
First evidence for 1st century AD production of Egyptian blue frit in Roman Italy (2014)First evidence for 1st century AD product…Egyptian Blue cakes from the Ayanis fortress (Eastern Anatolia, Turkey): micro-chemical and -structural investigations for the identification of manufacturing process and provenance (2013)Egyptian Blue cakes from the …Production technology of faience and related early vitreous materials (2009)Production technology of faie…The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia (2008)The production technology of …Communities and connections : essays in honour of Barry Cunliffe (2007)Communities and connections :…Physical Processes Involved in Production of the Ancient Pigment, Egyptian Blue (2006)Physical Processes Involved i…The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome (2004)The Use of Egyptian Blue and …The Blackening of Paint Containing Egyptian Blue (2004)The Blackening of Paint Conta…Vitruvius: ten books of architecture (2000)Vitruvius: ten books of archi…Production and characterization of Egyptian blue and Egyptian green frit (2000)Production and characterizati…X‐RAY MICROANALYSIS OF ANCIENT GLASSY MATERIALS: A COMPARATIVE STUDY OF WAVELENGTH DISPERSIVE AND ENERGY DISPERSIVE TECHNIQUES* (1994)X‐RAY MICROANALYSIS OF ANCIEN…Technological Examination of Egyptian Blue (1984)Technological Examination of …Archaeological Ceramics (1984)Archaeological CeramicsThe Discovery of Egyptian Blue in a Roman Fresco of the Mediaeval Period (Ninth Century A.D.) (1982)The Discovery of Egyptian Blu…The Roman villa at the Castle of Baia (Naples, Italy): investigations on the polychromy of frescoed surfaces by using non-destructive spectroscopic techniques (2024)The Roman villa at the Castle…Roman technological expertise in the construction of perpetual buildings: new insights into the wall paintings of a banquet scene from a tomb in Cumae (southern Italy) (2022)Roman technological expertise…Raman focal point on Roman Egyptian blue elucidates disordered cuprorivaite, green glass phase and trace compounds (2022)Raman focal point on Roman Eg…Trace compounds in Early Medieval Egyptian blue carry information on provenance, manufacture, application, and ageing (2021)Trace compounds in Early Medi…Investigating the provenance of Egyptian blue pigments in ancient Roman polychromy (2021)Investigating the provenance …RETRACTED ARTICLE: A new light on the grounds, pigments and bindings used in ancient Egyptian cartonnages from Tell Al Sawa, Eastern Delta, Egypt (2020)RETRACTED ARTICLE: A new ligh…Notes on Vestorius’ Blue – New findings and investigations (2020)Notes on Vestorius’ Blue – Ne…Medieval Glassworks in the City of Ferrara (North Eastern Italy): The Case Study of Piazza Municipale (2020)Medieval Glassworks in the Ci…A “Western” imported technology: An analytical study of the Achaemenid Egyptian blue objects (2020)A “Western” imported technolo…The conservation of medieval manuscript illuminations: A chemical perspective (2019)The conservation of medieval …Non-destructive characterization of Egyptian Blue cakes and wall painting fragments from the east of Lake Van, Turkey (2019)Non-destructive characterizat…Provenancing ancient pigments: Lead isotope analyses of the copper compound of egyptian blue pigments from ancient mediterranean artefacts (2017)Provenancing ancient pigments…2. Ultramarine Blue, Natural and Artificial (1966)Materials Issues in Art and Archaeology III (1994)Anglo-Saxon Manuscript Pigments (2004)From lapis lazuli to ultramarine blue: investigating Cennino Cennini’s recipe using sulfur K-edge XANES (2017)Rome in the Eighth Century (2020)Ancient Egyptian Materials and Industries (1963)The Organic Chemistry of Museum Objects (1988)Ancient Egyptian materials and technology (2000)Raman identification of green and blue pigments in Etruscan polychromes on architectural terracotta panels (2006)A review of ancient Egyptian pigments and cosmetics (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology (1983)Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review (2013)Micronised Egyptian blue pigment: A novel near-infrared luminescent fingerprint dusting powder (2016)Primary glass from Israel and the production of glass in Late Antiquity and the early Islamic period (2000)The composition of the soda-rich and mixed alkali plant ashes used in the production of glass (2006)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Pigments—copper-based greens and blues (2021)Some Materials of Glass Manufacturing in Antiquity (1967)THE RAW MATERIALS OF EARLY GLASS PRODUCTION (1985)ELECTRON PROBE MICROANALYSIS OF MIXED‐ALKALI GLASSES (1988)Accuracy, precision and detection limits of SEM-WDS, SEM-EDS and PIXE in the multi-elemental analysis of medieval glass (2000)Chemical analysis of 17th century Millefiori glasses excavated in the Monastery of Sta. Clara-a-Velha, Portugal: comparison with Venetian and façon-de-Venise production (2012)The Technology of Copper-Based Red Glass Sectilia from the 2nd Century AD Lucius Verus Villa in Rome (2020)Creating knowledge: the power and logic of articulation (2007)The Routledge Companion to Creativity (2008)Beyond Vitruvius: New Insight in the Technology of Egyptian Blue and Green Frits (2016)Dating Celtic Art: a Major Radiocarbon Dating Programme of Iron Age and Early Roman Metalwork in Britain (2009)Egyptian blue, Chinese blue, and related two-dimensional silicates: from antiquity to future technologies. Part A: general properties and historical uses (2023)Pigment analysis of wall paintings and ceramics from Greece and Cyprus. The optimum use of x-ray spectrometry on specific archaeological issues (2000)The Temple of Venus (Pompeii): a study of the pigments and painting techniques (2011)The Explanation of Artifact Variability (1997)Bonfire II: The Return of Pottery Firing Temperatures (2001)CERAMIC PRODUCTION, PROVENANCE AND USE—A REVIEW* (2008)
this work references cited by second hop

References

  • 2000Vitruvius: ten books of architecture502 cited
  • 1984Archaeological Ceramics372 cited
  • 2008The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia144 cited
  • 1984Technological Examination of Egyptian Blue93 cited
  • 2004The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome72 cited
  • 2006Physical Processes Involved in Production of the Ancient Pigment, Egyptian Blue68 cited
  • 2004The Blackening of Paint Containing Egyptian Blue66 cited
  • 2000Production and characterization of Egyptian blue and Egyptian green frit62 cited
  • 1994X‐RAY MICROANALYSIS OF ANCIENT GLASSY MATERIALS: A COMPARATIVE STUDY OF WAVELENGTH DISPERSIVE AND ENERGY DISPERSIVE TECHNIQUES*56 cited
  • 2007Communities and connections : essays in honour of Barry Cunliffe53 cited
  • 2009Production technology of faience and related early vitreous materials47 cited
  • 1982The Discovery of Egyptian Blue in a Roman Fresco of the Mediaeval Period (Ninth Century A.D.)32 cited
  • 2013Egyptian Blue cakes from the Ayanis fortress (Eastern Anatolia, Turkey): micro-chemical and -structural investigations for the identification of manufacturing process and provenance27 cited

Cited by

  • 2021Trace compounds in Early Medieval Egyptian blue carry information on provenance, manufacture, application, and ageing

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22 cited
  • 2019The conservation of medieval manuscript illuminations: A chemical perspective16 cited
  • 2020A “Western” imported technology: An analytical study of the Achaemenid Egyptian blue objects16 cited
  • 2017Provenancing ancient pigments: Lead isotope analyses of the copper compound of egyptian blue pigments from ancient mediterranean artefacts15 cited
  • 2022Roman technological expertise in the construction of perpetual buildings: new insights into the wall paintings of a banquet scene from a tomb in Cumae (southern Italy)12 cited
  • 2019Non-destructive characterization of Egyptian Blue cakes and wall painting fragments from the east of Lake Van, Turkey10 cited
  • 2020RETRACTED ARTICLE: A new light on the grounds, pigments and bindings used in ancient Egyptian cartonnages from Tell Al Sawa, Eastern Delta, Egypt9 cited
  • 2020Notes on Vestorius’ Blue – New findings and investigations9 cited
  • 2020Medieval Glassworks in the City of Ferrara (North Eastern Italy): The Case Study of Piazza Municipale9 cited
  • 2022Raman focal point on Roman Egyptian blue elucidates disordered cuprorivaite, green glass phase and trace compounds8 cited
  • 2021Investigating the provenance of Egyptian blue pigments in ancient Roman polychromy7 cited
  • 2024The Roman villa at the Castle of Baia (Naples, Italy): investigations on the polychromy of frescoed surfaces by using non-destructive spectroscopic techniques6 cited