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Ernst Kurth as Theorist and Analyst
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Cited by

  • 2002Energetics55 cited
  • 1991Syntagmatics and Paradigmatics: Some Implications for the Analysis of Chromaticism in Tonal Music38 cited
  • 2012On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)29 cited
  • 2015Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric28 cited
  • 2023The (Co)Evolution of Language and Music Under Human Self-Domestication19 cited
  • 2012Criteria for Analysis15 cited
  • 2023The Predominant Six-Four in the Late Music of Richard Strauss13 cited
  • 2002Rhythm in twentieth-century theory9 cited
  • 1990‘Twisted relations’: Method and meaning in Britten's Billy Budd6 cited
  • 2001Styles and languages around the turn of the century6 cited
  • 2011Stream Segregation and Perceived Syncopation4 cited
  • 1997Four distinct movement qualities in music: a performer's guide3 cited
  • 2000Musikwissenschaft — eine verspätete Disziplin3 cited
  • 2017“As Forming Becomes Form”3 cited
  • 2025Processual Tonality and the Psychoacoustics of Chromaticism

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2 cited