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Debussy and Wagner
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Debussy and Wagner (1981)Debussy and WagnerThe Operas of Maurice Ravel (2015)The Operas of Maurice RavelThe Passion of the Passacaille: Ravel, Wagner,Parsifal (2013)The Passion of the Passacaill…Crossing the Rubicon: Debussy and the Eternal Present of the Past (2012)Crossing the Rubicon: Debussy…Bernard Herrmann (2010)Bernard HerrmannDebussy and Recollection:trois aperçu (2007)Debussy and Recollection:troi…Styles and languages around the turn of the century (2001)Styles and languages around t…The Echo, the Cry, the Death of Lovers (1994)The Echo, the Cry, the Death …Debussy and baudelaire'sHarmonie du soir (1992)Debussy and baudelaire'sHarmo…Debussy, d'indy and the societe nationale (1991)Debussy, d'indy and the socie…Formulaic Openings in Debussy (1984)Formulaic Openings in DebussyThe Pleasure of the Text (1973)The Culture of Redemption (1990)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Between Romanticism and Modernism (1980)The New Grove Dictionary of Music and Musicians (1982)The Sacred and The Profane: The Nature of Religion (1987)Debussy's Trois Chansons de Bilitis: Song, Opera, and the Death of the Subject (1994)Traversing distances: Pitch organization, gesture and imagery in the late works of T l ru Takemitsu (2002)Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett (2023)Clues, Myths, and the Historical Method (1989):Clues, Myths, and the Historical Method (1990)Microhistory: Two or Three Things That I Know about It (1993)Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)17 FROM ‘DISCOURSE IN THE NOVEL’ (1994)The western canon: the books and school of the ages (1995)Cours de composition musicale (1909)Claude Debussy: His Life and Works (1933)Nineteenth-Century Music (2015)On the Genealogy of Morality (1887)Diaghilev's Ballets Russes (1990)The Anti-Christ, Ecce homo, Twilight of the idols, and other writings (2005)The Symbolist Aesthetic in France, 1885-1895 (1952)Claude Debussy and the Poets (1976)Debussy: Impressionism and symbolism (1976)Discourse Networks, 1800/1900 (1990)The Structure of Atonal Music (1973)Stravinsky and the Russian Traditions (1996)Defining Russia Musically (1997)Introduction: trajectories of twentieth-century music (2004)Diverging from an established Greek musical nationalism: Aspects of modernism in the works of Dimitri Mitropoulos, Nikos Skalkottas, Dimitrios Levidis and Harilaos Perpessas, during the 1920s and 30s (2012)Scoring the Familiar and Unfamiliar in Howard Shore’s The Lord of the Rings (2018)Style in Language (1962)Western music and its others : difference, representation, and appropriation in music (2000)Children's Thinking (2005)Mapping Ravel’s “La vallée des cloches” (2020)Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel’sBoléro (2020)Narrating Masculinity in the Dance Contest from Ravel'sDaphnis et Chloé (2021)
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Cited by

  • 1984Formulaic Openings in Debussy13 cited
  • 2010Bernard Herrmann8 cited
  • 2015The Operas of Maurice Ravel7 cited
  • 2001Styles and languages around the turn of the century6 cited
  • 1994The Echo, the Cry, the Death of Lovers4 cited
  • 1992Debussy and baudelaire'sHarmonie du soir3 cited
  • 2012Crossing the Rubicon: Debussy and the Eternal Present of the Past2 cited
  • 1991Debussy, d'indy and the societe nationale2 cited
  • 2013The Passion of the Passacaille: Ravel, Wagner,Parsifal2 cited
  • 2007Debussy and Recollection:trois aperçu2 cited

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