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Making and Meaning: The Role of the Producer in British Films
9 references·0 citing·26 second hop
Making and Meaning: The Role of the Producer in British Films (2012)Making and Meaning: The Role of the Produ…Je t'aime...moi non plus: Franco-British cinematic relations (2011)Je t'aime...moi non plus: Fra…Where Credit Is Due (2009)Where Credit Is DueMoving Pictures: How They are Made and Worked (2009)Moving Pictures: How They are…Practical cinematography and its applications (2007)Practical cinematography and …British cinema of the 1950s: the decline of deference (2004)British cinema of the 1950s: …British Cinema of the 1950s (2003)British Cinema of the 1950sBritish Cinema History (1983)British Cinema HistoryMichael Balcon presents ... a lifetime of films (1969)Michael Balcon presents ... a…Management and machiavelli (1968)Management and machiavelliScholarly communication and bibliometrics (2002)Journal of the American Society for Information Science and Technology (2006)The History and Meaning of the Journal Impact Factor (2006)Tensions and tenets of socialized scholarship (2015)Citation Classics in Social Policy Journals (2016)Are Ratings the Worst Form of Credit Assessment Except for All the Others? (2018)Creating Authorship? Lindsay Anderson and David Sherwin's collaboration on If. (1968) (2010)‘Shop-soiled’ Women: Female Sexuality and the Figure of the Prostitute in 1950s British Cinema (2006)Millions Like Us? Accented Language and the “Ordinary” in British Films of the Second World War (2006)Teetering on the Edge: portraits of innocence, risk and young female sexualities in 1950s’ and 1960s' British cinema (2016)"Experiments of Destruction": Cinematic Inscriptions of Physiology (1992)Film Copyright in the European Union (2002)The Veiled Genealogies of Animation and Cinema (2011)Machiavellianism As A Factor In Managerial Job Strain, Job Satisfaction, And Upward Mobility (1972)Antecedents of the People and Organizational Aspects of Medical Informatics: Review of the Literature (1997)Lessons from Crisis Research (2004)Media and the Making of British Society, c .1700-2000 (2002)Institutions and Organisations (2013)License to Assemble: Theorizing Brand Longevity (2018)“A Girl Alone in a man's World” (2009)Small-gauge and amateur film bibliography (2003)A Trick Question: Are Early Animated Drawings a Film Genre or a Special Effect? (2011)The secret life of plants: Visualizing vegetative movement, 1880–1903 (2012)Coming of sound to the cinema in Britain (1984)From reel to ideal: The Blue Lamp and the popular cultural construction of the English ‘bobby’ (2005)Twentieth-Century British Theatre: Industry, Art and Empire (2012)
this work references cited by second hop

References

  • 1983British Cinema History160 cited
  • 1968Management and machiavelli123 cited
  • 2009Moving Pictures: How They are Made and Worked91 cited
  • 2004British cinema of the 1950s: the decline of deference86 cited
  • 2003British Cinema of the 1950s73 cited
  • 1969Michael Balcon presents ... a lifetime of films47 cited
  • 2009Where Credit Is Due33 cited
  • 2007Practical cinematography and its applications23 cited
  • 2011Je t'aime...moi non plus: Franco-British cinematic relations14 cited

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