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Consonance and Rhythm in the Organum of the 12th and 13th Centuries
8 references·5 citing·25 second hop
Consonance and Rhythm in the Organum of the 12th and 13th Centuries (1980)Consonance and Rhythm in the Organum of t…Music from the Middle Ages to the Renaissance (1975)Music from the Middle Ages to…Gattungen der Musik in Einzeldarstellungen : Gedenkschrift Leo Schrade (1973)Gattungen der Musik in Einzel…Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit (1971)Ad organum faciendum. Lehrsch…Proprietas und perfectio. Zur Geschichte des Rhythmus, seiner Aufzeichnung und Terminologie im 13. Jahrhundert (1967)Proprietas und perfectio. Zur…Der Musiktraktat des Anonymus 4 (1967)Der Musiktraktat des Anonymus…Two xiii Century Treatises on Modal Rhythm and the Discant: Discantus positio vulgaris De musica libellus (Anonymous VII) (1962)Two xiii Century Treatises on…Duple Rhythm and Alternate Third Mode in the 13th Century (1962)Duple Rhythm and Alternate Th…Discantus, Copula, Organum (1952)Discantus, Copula, OrganumNotre Dame'S new clothes (2014)Notre Dame'S new clothesThe Polyphonic Music of the Medieval Monastery, Cathedral and University (1990)The Polyphonic Music of the M…Franco of Cologne on the rhythm of organum purum (1990)Franco of Cologne on the rhyt…Musical Perspectives on Psychological Research and Music Education (1987)Musical Perspectives on Psych…Johannes de Garlandia onorganum in speciali (1982)Johannes de Garlandia onorgan…The Notation of Polyphonic Music, 900-1600 (1943)The Notation of Polyphonic Music, 900-1600 (1950)Musical Declamation and Poetic Rhythm in an Early Layer of Notre Dame Conductus (1979)Conductus and Modal Rhythm (1985)Die Musik in Geschichte und Gegenwart (1989)Glossarium mediæ et infimæ latinitatis (1883)The New Grove Dictionary of Music and Musicians (1981)The New Grove dictionary of music and musicians (2001)Contemplating Music: Challenges to Musicology (1989)Music and ceremony at Notre Dame of Paris, 500-1550 (1990)Text and act: essays on music and performance (1996)Discovering Medieval Song (2018)Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance (1982)The Dahlhaus Project and Its Extra-Musicological Sources (1991)The End(s) of Genre (2013)Popes and Councils (1998)Scotland: 1406–1513 (1998)Yorkist and Early Tudor England (1998)Organum –discantus–contrapunctusin the Middle Ages (2002)Stop the Press? The Changing Media of Music Criticism (2019)Mnemotechnics and Notre Dame Polyphony (1996)The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century (2016)Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript (1972)Leoninus, Poet and Musician (1986)Notre Dame Manuscripts and Their Owners: Lost and Found (1987)
this work references cited by second hop

References

  • 1973Gattungen der Musik in Einzeldarstellungen : Gedenkschrift Leo Schrade112 cited
  • 1967Der Musiktraktat des Anonymus 482 cited
  • 1975Music from the Middle Ages to the Renaissance54 cited
  • 1971Ad organum faciendum. Lehrschriften der Mehrstimmigkeit in nachguidonischer Zeit41 cited
  • 1962Duple Rhythm and Alternate Third Mode in the 13th Century32 cited
  • 1962Two xiii Century Treatises on Modal Rhythm and the Discant: Discantus positio vulgaris De musica libellus (Anonymous VII)30 cited
  • 1967Proprietas und perfectio. Zur Geschichte des Rhythmus, seiner Aufzeichnung und Terminologie im 13. Jahrhundert30 cited
  • 1952Discantus, Copula, Organum26 cited

Cited by

  • 2014Notre Dame'S new clothes13 cited
  • 1990Franco of Cologne on the rhythm of organum purum6 cited
  • 1982Johannes de Garlandia onorganum in speciali4 cited
  • 1990The Polyphonic Music of the Medieval Monastery, Cathedral and University4 cited
  • 1987Musical Perspectives on Psychological Research and Music Education3 cited

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