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The Twisted Muse: Musicians and Their Music in the Third Reich
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  • 2007Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences48 cited
  • 2007“Socializing” music education41 cited
  • 2007Dismantling a Dystopia: On the Historiography of Music in the Third Reich26 cited
  • 2010Music and Conflict: Interdisciplinary Perspectives24 cited
  • 2013Defending Joyagainst thePopular Revolution: legitimation and delegitimation through songs23 cited
  • 2000Intellectual property in music: A historical analysis of rhetoric and institutional practices∗13 cited
  • 2006Variations on a Hebrew theme: The politics of art music in Israel9 cited
  • 2004"Friese im Innern": Strauss's Public and Private Worlds in the Mis 1930's7 cited
  • 2005Saving Music: Enduring Experiences of Culture7 cited
  • 2006French Identity in Flux: The Triumph of Honegger's Antigone5 cited
  • 2014Scott at the Opera: interpretingDas Opfer(1937)5 cited
  • 2008Eisler's Notes on Hollywood and the Film Music Project, 1935-425 cited
  • 2000›Verspätete‹ Musikwissenschaft in Frankreich und Italien? Musikforschung im Spannungsfeld von Nationalismus, Reaktion und Moderne4 cited
  • 2014The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity

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3 cited