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C'mon to my house: Underground-House Dancing
14 references·3 citing·27 second hop
C'mon to my house: Underground-House Dancing (2001)C'mon to my house: Underground-House Danc…Dancing Desires: Choreographing Sexualities On And Off The Stage (2001)Dancing Desires: Choreographi…“You Better Work!” Underground Dance Music in New York City, by Kai Fikentscher. 2000. Hanover, NH: Wesleyan University Press, xv + 159 pp., illustrations, notes, bibliography, discography, index. $50.00 cloth; $19.95 paper. (2001)“You Better Work!” Undergroun…"You Better Work!" (2000)"You Better Work!"This is Our House: House Music, Cultural Spaces and Technologies (1998)This is Our House: House Musi…Moving Words: Re‐Writing Dance (1998)Moving Words: Re‐Writing DanceNoises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture. (1997)Noises in the Blood: Orality,…Moving words: re-writing dance (1997)Moving words: re-writing danceDance in the City (1997)Dance in the CityNoises in the blood: orality, gender, and the "vulgar" body of Jamaican popular culture (1995)Noises in the blood: orality,…Time Passages: Collective Memory and American Popular Culture. (1991)Time Passages: Collective Mem…Time Passages: Collective Memory and American Popular Culture. (1991)Time Passages: Collective Mem…From Ritual to Theatre: The Human Seriousness of Play (1983)From Ritual to Theatre: The H…From ritual to theatre : the human seriousness of play (1982)From ritual to theatre : the …African Art in Motion (1979)African Art in MotionDJing as “Phonographic Work(ing)” (2025)DJing as “Phonographic Work(i…Feeling the vibe: sound, vibration, and affective attunement in electronic dance music scenes (2020)Feeling the vibe: sound, vibr…The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture (2013)The Vibe of the Exiles: Alien…Performing Autoethnography: An Embodied Methodological Praxis (2001)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The State of Research on Performance in Africa (1991)The Post-Colonial Studies Reader (1996)It's a Political Jungle Out There (2007)Changing Highbrow Taste: From Snob to Omnivore (1996)On the Emergence of Memory in Historical Discourse (2000)Problems in comparative research: The example of omnivorousness (2005)Shadowboxing in the Mangrove (1997)Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba (2003)Demonic Grounds: Black Women And The Cartographies Of Struggle (2006)The rise and fall of highbrow snobbery as a status marker (1997)Making Place, Making Race: Performances of Whiteness in the Jim Crow South (2003)Nostalgia: sanctuary of meaning (2006)My Life as a Night Elf Priest (2010)‘But Most of all mi Love me Browning’: The Emergence in Eighteenth and Nineteenth-Century Jamaica of the Mulatto Woman as the Desired (2000)Taking young people as political actors seriously: opening the borders of political geography (2009)Mobility and the humanities (2017)Dilemmas of the Nightlife Fix (2011)The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough” (2012)Music tourism and factions of bodies in Goa (2002)“Partying” Hard: Party Style, Motives for and Effects of MDMA Use at Rave Parties (2005)‘How do you know he's not playing Pac-Man while he's supposed to be DJing?’: technology, formats and the digital future of DJ culture (2010)Choreographies of Resistance: Latinalo Queer Dance and the Utopian Performative (2004)Dance and Sexuality: Many Moves (2010)What the Sands Remember (2012)
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References

  • 1983From Ritual to Theatre: The Human Seriousness of Play2,120 cited
  • 1982From ritual to theatre : the human seriousness of play1,707 cited
  • 1991Time Passages: Collective Memory and American Popular Culture.722 cited
  • 1991Time Passages: Collective Memory and American Popular Culture.417 cited
  • 1997Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture.270 cited
  • 1995Noises in the blood: orality, gender, and the "vulgar" body of Jamaican popular culture238 cited
  • 2000"You Better Work!"173 cited
  • 2001Dancing Desires: Choreographing Sexualities On And Off The Stage146 cited
  • 1998This is Our House: House Music, Cultural Spaces and Technologies92 cited
  • 1979African Art in Motion85 cited
  • 2001“You Better Work!” Underground Dance Music in New York City, by Kai Fikentscher. 2000. Hanover, NH: Wesleyan University Press, xv + 159 pp., illustrations, notes, bibliography, discography, index. $50.00 cloth; $19.95 paper.67 cited
  • 1997Dance in the City47 cited
  • 1998Moving Words: Re‐Writing Dance41 cited
  • 1997Moving words: re-writing dance40 cited

Cited by

  • 2020Feeling the vibe: sound, vibration, and affective attunement in electronic dance music scenes

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61 cited
  • 2013The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture8 cited
  • 2025DJing as “Phonographic Work(ing)”2 cited