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On the light fantastic toe: Dance scholarship and academic fashion
6 references·2 citing·24 second hop
On the light fantastic toe: Dance scholarship and academic fashion (1995)On the light fantastic toe: Dance scholar…Ecstasy and the demon: feminism and nationalism in the dances of Mary Wigman (1994)Ecstasy and the demon: femini…Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman (1994)Ecstasy and the Demon: Femini…Dance as Text: Ideologies of the Baroque Body (1993)Dance as Text: Ideologies of …Diaghilev's Ballets Russes, byLynn Garafola. New York, Oxford: Oxford University Press, 1989. xviii + 524 pp., illustrations. $29.95. (1990)Diaghilev's Ballets Russes, b…Diaghilev's Ballets Russes (1990)Diaghilev's Ballets RussesTowards a Postpositivist Theatre History (1985)Towards a Postpositivist Thea…The “congealed residues” of dance history: A response to Richard Ralph's “dance scholarship and academic fashion”—One path to a pre‐determined enlightenment? (1997)The “congealed residues” of d…Dialogue: Dance History—Current Methodologies (1996)Dialogue: Dance History—Curre…The Jacobean and Caroline Stage (1957)A Poetics of Postmodernism (2003)The Elizabethan Stage (2009)World history of dance (1937)The End of Art Theory (1986)Choreographing History (1996)IV. The Critical Burden of History (2000)Embodying Difference: Issues in Dance and Cultural Studies (1993)Afterwords (2000)Dance and the Political: States of Exception (2006)Problems with Ballet: Steps, style and training (2003)Ida Rubinstein: Dancing Decadence and “The Art of the Beautiful Pose” (2014)Precarious Professionals (2021)Choreographies of Gender (1998)Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham (2003)Constructed Narratives: Situating Theatre for Young Audiences in the United States (2000)The operatic event: opera houses and opera audiences (2012)Mapping Irish Theatre: Theories of Space and Place (2013)Dancers, Workers and Bees in the Choreography of Doris Humphrey (1996)The Human Situation on Stage: Merce Cunningham, Theodor Adorno, and the Category of Expression (2010)Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–1962 (2017)Making Music Modern (2000)The Cambridge History of Twentieth-Century English Literature (2005)Gestural Imaginaries (2019)
this work references cited by second hop

References

  • 1990Diaghilev's Ballets Russes307 cited
  • 1993Dance as Text: Ideologies of the Baroque Body145 cited
  • 1990Diaghilev's Ballets Russes, byLynn Garafola. New York, Oxford: Oxford University Press, 1989. xviii + 524 pp., illustrations. $29.95.109 cited
  • 1994Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman90 cited
  • 1994Ecstasy and the demon: feminism and nationalism in the dances of Mary Wigman72 cited
  • 1985Towards a Postpositivist Theatre History26 cited

Cited by

  • 1996Dialogue: Dance History—Current Methodologies11 cited
  • 1997The “congealed residues” of dance history: A response to Richard Ralph's “dance scholarship and academic fashion”—One path to a pre‐determined enlightenment?5 cited

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