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Follow the Cut, Follow the Rhythm, Follow the Material
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  • 2016Archaeologies of Ontology291 cited
  • 2021After Interpretation: Remembering Archaeology70 cited
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  • 2021What Difference Does Posthumanism Make?46 cited
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  • 2016A stone that feels right in the hand: Tactile memory, the abduction of agency and presence of the past35 cited
  • 2017A Political Ecology of Water and Enslavement: Water Ways in Eighteenth-Century Caribbean Plantations32 cited
  • 2020Capturing the Silences in Digital Archaeological Knowledge30 cited
  • 2012Hacia otra arqueología: diez propuestas28 cited
  • 2019Active environments: Relational ontologies of landscape at the ancient Maya city of Aventura, Belize24 cited
  • 2021Posthuman Archaeologies, Archaeological Posthumanisms18 cited
  • 2021Prehistoric Pendants as Instigators of Sound and Body Movements: A Traceological Case Study from Northeast Europe, c. 8200 cal. bp13 cited
  • 2019Do you follow? Rethinking causality in archaeology8 cited

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  • 2022What Can A [Feminist] Body Do? Immanent and Emergent Capacities of Bodies at Chinchorro and Wor Barrow8 cited
  • 2021What About Us? – On Archaeological Objects (or the Objects of Archaeology)7 cited