SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance”
11 references·7 citing·31 second hop
No Longer Themselves?: Framing Digitally Enabled Posthumous “Performance” (2010)No Longer Themselves?: Framing Digitally …What do pictures want?: the lives and loves of images (2006)What do pictures want?: the l…Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger (2006)Kung Fu Cult Masters: From Br…Carnal thoughts: embodiment and moving image culture (2005)Carnal thoughts: embodiment a…The Emergence of Filmic Artifacts: Cinema and Cinematography in the Digital Era (2004)The Emergence of Filmic Artif…The Language of New Media (2002)The Language of New MediaSpecial effects: still in search of wonder (2002)Special effects: still in sea…Intensified Continuity Visual Style in Contemporary American Film (2002)Intensified Continuity Visual…Method Acting Reconsidered (2000)Method Acting ReconsideredModernism, technology, and the body: a cultural study (1998)Modernism, technology, and th…Picture personalities: the emergence of the star system in America (1991)Picture personalities: the em…Acting in the Cinema (1988)Acting in the CinemaVactor ontologies: framing acting within a motion capture context (2021)Vactor ontologies: framing ac…Rewriting the stars: Surface tensions and gender troubles in the online media production of digital deepfakes (2021)Rewriting the stars: Surface …‘Do You Really Want to Live Forever?’: Animism, Death, and the Trouble of Digital Images (2018)‘Do You Really Want to Live F…The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture (2016)The Technologically Determine…Reframing Television Performance (2016)Reframing Television Performa…A Phantasmic Experience: Narrative Connection of Dead Celebrities in Advertisements (2014)A Phantasmic Experience: Narr…I'll (Always) Be Back: Virtual Performance and Post-Human Labor in the Age of Digital Cinema (2012)I'll (Always) Be Back: Virtua…Narrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Knowledge and Critical Pedagogy (2008)Documents and Bureaucracy (2010)The Platformization of the Web: Making Web Data Platform Ready (2015)Negotiating Hollywood: The Cultural Politics of Actors' Labor (1995)The ‘place’ of television in celebrity studies (2010)Feminist Film Studies (2012)Celebrity Status (2007)The Unwatched Life Is Not Worth Living: The Elevation of the Ordinary in Celebrity Culture (2011)Celebrity 2.0: Lil Miquela and the rise of a virtual star system (2020)Modernism, Daily Time and Everyday Life (2007)Modernism, Satire and the Novel (2011)Literature and Disability (2015)Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales (2010)Approaching media industries comparatively: A case study of streaming (2018)Detecting mental fatigue from eye-tracking data gathered while watching video: Evaluation in younger and older adults (2018)Sick man of transl-Asia: Bruce Lee and Rey Chow's queer cultural translation (2010)Deconstructing martial arts (2019)The Invention of Martial Arts (2020)Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile (2010)Trans-embodiment (2016)Rediscovering Stanislavsky (2019)Hidden Surface Problems: On the Digital Image as Material Object (2015)Flickers of film: nostalgia in the time of digital cinema (2016)Artificial intelligence in fiction: between narratives and metaphors (2021)“Worlds Otherwise” (2011)Theorizing the image for Security Studies (2011)Mediants, Materiality, Normativity (2015)Seeing What We Know: Disability and Theories of Metaphor (2010)Videographic geographies: Using digital video for geographic research (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)
this work references cited by second hop

References

  • 2002The Language of New Media5,017 cited
  • 2006What do pictures want?: the lives and loves of images1,206 cited
  • 2005Carnal thoughts: embodiment and moving image culture797 cited
  • 1998Modernism, technology, and the body: a cultural study485 cited
  • 1991Picture personalities: the emergence of the star system in America459 cited
  • 1988Acting in the Cinema366 cited
  • 2002Intensified Continuity Visual Style in Contemporary American Film362 cited
  • 2006Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger108 cited
  • 2002Special effects: still in search of wonder82 cited
  • 2000Method Acting Reconsidered63 cited
  • 2004The Emergence of Filmic Artifacts: Cinema and Cinematography in the Digital Era62 cited

Cited by

  • 2021Rewriting the stars: Surface tensions and gender troubles in the online media production of digital deepfakes31 cited
  • 2012I'll (Always) Be Back: Virtual Performance and Post-Human Labor in the Age of Digital Cinema19 cited
  • 2021Vactor ontologies: framing acting within a motion capture context8 cited
  • 2018‘Do You Really Want to Live Forever?’: Animism, Death, and the Trouble of Digital Images

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited
  • 2016The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture6 cited
  • 2016Reframing Television Performance6 cited
  • 2014A Phantasmic Experience: Narrative Connection of Dead Celebrities in Advertisements2 cited