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John Cage: Composed in America
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John Cage: Composed in America (1999)John Cage: Composed in AmericaCapturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age (2019)Capturing the World with Perf…Musical combinatorics, tonnetz, and the CubeHarmonic (2018)Musical combinatorics, tonnet…Culturalization of the Economy and the Artistic Qualities of Contemporary Capitalism (2018)Culturalization of the Econom…Teoria i estetyka awangardy muzycznej drugiej połowy XX wieku (2016)Teoria i estetyka awangardy m…John Cage and David Tudor: correspondence on interpretation and performance (2013)John Cage and David Tudor: co…CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE (2013)CHANCE AND CERTAINTY: JOHN CA…The Spirit inside Each Object: John Cage, Oskar Fischinger, and “The Future of Music” (2012)The Spirit inside Each Object…Difference and Discipline: The Cage/Cunningham Aesthetic Revisited (2012)Difference and Discipline: Th…Moving Words: Five Instances of Dance Writing (2011)Moving Words: Five Instances …"Systematic Rule-Governed Violations of Convention": The Poetics of Procedural Constraint in Ron Silliman's BART and The Chinese Notebook (2007)"Systematic Rule-Governed Vio…Twentieth-Century Chamber Music (2004)Twentieth-Century Chamber Mus…Introduction: The Double “Turn” to Ethics and Literature? (2004)Introduction: The Double “Tur…Cage in Retrospect: A Review Essay. Here Comes Everybody: The Music, Poetry and Art of John Cage. Mills College, November 15-19, 1995 (1996)Cage in Retrospect: A Review …Word and Object (1960)The Spirit Level (2001)Silence : lectures and writings (2011)Cage and Tudor as Process (2016)Empirical Approaches to the Performance Analysis of New Music (2024)We have never been modern (1994)Pandora's Hope: Essays on the Reality of Science Studies (2000)Vibrant Matter: A Political Ecology of Things (2010)Steve Reich’s Counterpoints and Computers (2019)Mapping Sound (2020)Selected prose of T. S. Eliot (1953)Philosophical Investigations. (1967)Tradition and the Individual Talent (1982)The Poetics of Indeterminacy: Rimbaud to Cage (1982)The inhuman: reflections on time (1992)58. Contingency, Irony and Solidarity (2015)Film sound: Theory and practice (1985)Capturing sound: how technology has changed music (2005)John Cage'sCartridge Music(1960): ‘A Galaxy Reconfigured’ (2014)Naming and Necessity (1972)How To Do Things With Words (1975)"The Soul of Art": Understanding Victorian Ethical Criticism (2005)Towards a poethics of love (2010)In Defense of Paraphrase (2013)Understanding Media: The Extensions of Man (1964)The condition of postmodernity: an enquiry into the origins of cultural change (1990)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (1995)Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. (1997)The Cambridge Companion to John Cage (2002)A Thousand Plateaus: Capitalism and Schizophrenia (1989)5. The Practice of Everyday Life (2000)Poetics of Music in the Form of Six Lessons (1970)Experimental Music: Cage and Beyond (1975)A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985)Boundaries of the New: American Classical Music at the Turn of the Millennium (2019)Empowering the Portfolio Musician: Innovative Chamber Music Pedagogy for the 21st-Century Artist (2022)Transactional Culture of the Portfolio Career Chamber Musician: A Case Study (2022)
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  • 2013CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE55 cited
  • 2004Introduction: The Double “Turn” to Ethics and Literature?50 cited
  • 2004Twentieth-Century Chamber Music26 cited
  • 2007"Systematic Rule-Governed Violations of Convention": The Poetics of Procedural Constraint in Ron Silliman's BART and The Chinese Notebook18 cited
  • 2013John Cage and David Tudor: correspondence on interpretation and performance14 cited
  • 2012The Spirit inside Each Object: John Cage, Oskar Fischinger, and “The Future of Music”13 cited
  • 2011Moving Words: Five Instances of Dance Writing6 cited
  • 2012Difference and Discipline: The Cage/Cunningham Aesthetic Revisited5 cited
  • 2016Teoria i estetyka awangardy muzycznej drugiej połowy XX wieku4 cited
  • 2018Culturalization of the Economy and the Artistic Qualities of Contemporary Capitalism4 cited
  • 2019Capturing the World with Performance: John Cage's Probabilistic Aesthetics for the Digital Age3 cited
  • 2018Musical combinatorics, tonnetz, and the CubeHarmonic2 cited
  • 1996Cage in Retrospect: A Review Essay. Here Comes Everybody: The Music, Poetry and Art of John Cage. Mills College, November 15-19, 19952 cited

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