SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Acting Black, 1824: Charles Mathews's Trip to America
16 references·3 citing·30 second hop
Acting Black, 1824: Charles Mathews's Trip to America (2011)Acting Black, 1824: Charles Mathews's Tri…The Broadview Anthology of Nineteenth-Century British Performance (2011)The Broadview Anthology of Ni…The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (2009)The Amalgamation Waltz: Race,…Players, playwrights, playhouses: investigating performance, 1660-1800 (2008)Players, playwrights, playhou…The Cambridge Companion to British Theatre, 1730–1830 (2007)The Cambridge Companion to Br…Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative (2007)Fugitive Vision: Slave Image …Jump Jim Crow: Lost Plays, Lyrics and Street Prose of the First Atlantic Popular Culture (2004)Jump Jim Crow: Lost Plays, Ly…White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour: William Brown's African and American Theater (2003)White People Do Not Know How …Blind Memory: Visual Representations of Slavery in England and America, 1780-1865 (2001)Blind Memory: Visual Represen…A documentary history of the African Theatre (1998)A documentary history of the …Love and Theft: Blackface Minstrelsy and the American Working Class. (1995)Love and Theft: Blackface Min…Interpreting the Theatrical Past: Essays in the Historiography of Performance (1990)Interpreting the Theatrical P…Hogarth's Blacks: Images of Blacks in Eighteenth Century English Art (1988)Hogarth's Blacks: Images of B…The Player's Passion: Studies in the Science of Acting (1986)The Player's Passion: Studies…Blacking Up: The Minstrel Show in Nineteenth-Century America (1977)Blacking Up: The Minstrel Sho…Harlequin in His Element: The English Pantomime, 1806-1836 (1969)Harlequin in His Element: The…Dan Emmett and the Rise of Early Negro Minstrelsy (1963)Dan Emmett and the Rise of Ea…Print and Performance in the 1820s (2020)Print and Performance in the …Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research (2013)Close/Clown Encounters with H…Black Politics but Not Black People: Rethinking the Social and “Racial” History of Early Minstrelsy (2013)Black Politics but Not Black …Specters of Democracy (2011)Ontological Terror (2018)Ontological Terror: Blackness, Nihilism, and Emancipation (2018)Celebrity and the Semiotics of Acting (1990)Garrick's Body and the Labor of Art in Eighteenth-Century Theater (1996)Shakespeare, Spectatorship and the Technologies of Performance (2020)Education policy as an act of white supremacy: whiteness, critical race theory and education reform (2005)The Postcolonial Unconscious (2011)What the Sands Remember (2012)"There Was No Resisting John Canoe": Circum-Atlantic Transracial Performance (2007)Opera and the Mainstreaming of Blackface Minstrelsy (2007)Burnt Cork: Traditions and Legacies of Blackface Minstrelsy (2012)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)'In a Country of Liberty?': Slavery, Villeinage and the Making of Whiteness in the Somerset Case (1772) (2011)The Cambridge History of Black and Asian British Writing (2019)First of the Red Hot Mamas: "Coon Shouting" and the Jewish Ziegfeld Girl (1999)A “Brutology” of Bozal: Tracing a Discourse Genealogy from Nineteenth-Century Blackface Theater to Twenty-First-Century Spirit Possession in Cuba (2013)Language Variety in the South Revisited (2014)Stage Fright, Animals, and Other Theatrical Problems (2006)The Cambridge Introduction to Theatre Studies (2008)In the eye of the beholder? Universality and cultural specificity in the expression and perception of emotion (2011)Blackophilia and Blackophobia: White Youth, the Consumption of Rap Music, and White Supremacy (2003)Goal-Directed Soul? Analyzing Rhythmic Teleology in African American Popular Music (2011)Banding together: how communities create genres in popular music (2012)It Ain't where you're from, it's where you're At... (1991)Love and Theft: The Racial Unconscious of Blackface Minstrelsy (1992)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)The lure of aria, procession and spectacle: opera in eighteenth-century London (2009)Charles Dibdin and Late Georgian Culture (2018)European Literatures in Britain, 1815–1832: Romantic Translations (2018)
this work references cited by second hop

References

  • 2001Blind Memory: Visual Representations of Slavery in England and America, 1780-1865622 cited
  • 1986The Player's Passion: Studies in the Science of Acting534 cited
  • 1977Blacking Up: The Minstrel Show in Nineteenth-Century America192 cited
  • 2007The Cambridge Companion to British Theatre, 1730–1830151 cited
  • 1995Love and Theft: Blackface Minstrelsy and the American Working Class.147 cited
  • 1990Interpreting the Theatrical Past: Essays in the Historiography of Performance146 cited
  • 1988Hogarth's Blacks: Images of Blacks in Eighteenth Century English Art131 cited
  • 2007Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative128 cited
  • 2004Jump Jim Crow: Lost Plays, Lyrics and Street Prose of the First Atlantic Popular Culture112 cited
  • 1963Dan Emmett and the Rise of Early Negro Minstrelsy95 cited
  • 2003White People Do Not Know How to Behave at Entertainments Designed for Ladies and Gentlemen of Colour: William Brown's African and American Theater84 cited
  • 2009The Amalgamation Waltz: Race, Performance, and the Ruses of Memory79 cited
  • 2008Players, playwrights, playhouses: investigating performance, 1660-180075 cited
  • 1969Harlequin in His Element: The English Pantomime, 1806-183672 cited
  • 1998

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

A documentary history of the African Theatre
70 cited
  • 2011The Broadview Anthology of Nineteenth-Century British Performance65 cited
  • Cited by

    • 2013Black Politics but Not Black People: Rethinking the Social and “Racial” History of Early Minstrelsy35 cited
    • 2020Print and Performance in the 1820s21 cited
    • 2013Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research12 cited