Engendering a Nation: A Feminist Account of Shakespeare's English Histories

Jean E. Howard · Phyllis Rackin

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Shakespeare, Adaptation, and Literary Criticism Medieval Literature and History Renaissance Literature and Culture

Abstract

Part I: Making Gender Visible: A Re-Viewing of Shakespeare's History Plays 1. Thoroughly Modern Henry 2. The History Play in Shakespeare's Time 3. Feminism, Women, and the Shakespearean History Play 4. The Theater as Institution Notes. Part II: Weak Kings, Warrior Women, and the Assault on Dynastic Authority: The First Tetralogy and King John 1. Henry VI, Part I 2. Henry VI, Part II 3. Henry VI, Part III 4. Richard III 5. King John. Notes. Part III: Gender and Nation: Anticipations of Modernity in the Second Tetralogy 1. Richard II 2. The Henry IV plays 3. Henry V Notes. Bibilography. Index.

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2016Selling Shakespeare: Biography, Bibliography, and the Book Trade 2009Aliens and Englishness in Elizabethan Drama 2004"Unkind Division": The Double Absence of Performing History in 1 Henry VI 2016Crossing Languages to Play with Words 2003Tragical-Comical-Historical Hotspur 2003Shakespeare, Geography, and the Work of Genre on the Early Modern Stage 2007The Elizabethan History Play: A True Genre?2000Fragments of Nationalism in Troilus and Cressida

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