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Some Notes on the First Edition of Monteverdi's 'Orfeo' (1609)
8 references·0 citing·26 second hop
Some Notes on the First Edition of Monteverdi's 'Orfeo' (1609) (2010)Some Notes on the First Edition of Montev…The Cambridge Companion to Monteverdi (2007)The Cambridge Companion to Mo…Two Monteverdi Problems, and Why They Matter (2002)Two Monteverdi Problems, and …Monteverdi's Musical Theatre (2002)Monteverdi's Musical TheatreThe letters of Claudio Monteverdi (1996)The letters of Claudio Montev…TALLIS, BYRD AND THE 'INCORRECTED COPY': SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE (1996)TALLIS, BYRD AND THE 'INCORRE…Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni (1990)Music-printing in late sixtee…Claudio Monteverdi: Orfeo (1986)Claudio Monteverdi: OrfeoDialogo della musica antica et della moderna (1967)Dialogo della musica antica e…The golden compasses : a history and evaluation of the printing and publishing activities of the Officina Plantiniana at Antwerp (1969)The Roman Inquisition and the Venetian Press, 1540-1605 (1978):Renaissance Studies in Honor of Craig Hugh Smyth (1987)Women in the Book Trade in Italy, 1475-1620 (1996)Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence (2021)SOME REFLECTION UPON NOTATION AND PROPORTION IN MONTEVERDI'S MASS AND VESPERS OF 1610 (1992)Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy (1993)Antithetical Arts (2009)Beyond Drama: Monteverdi, Marino, and the Sixth Book of Madrigals (1614) (2016)Monteverdi's Voices (2024)2. Constructions Of Gender In Monteverdi's Dramatic Music (1989)The Renaissance Academies between Science and the Humanities (2009)Situating opera: period, genre, reception (2011)"Venezia favorita da Maria": Music for the Madonna Nicopeia and Santa Maria della Salute (1984)Music in the market-place (2005)The seventeenth-century musical ‘work’ (2005)Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century (2004)Who is the Father? Changing Perceptions of Tallis and Byrd in Late Nineteenth-Century England (2008)Religion (2014)Music in the Early Colonial World (2019)The Cambridge History of Sixteenth-Century Music (2019)Music, Letters and National Identity: Reading the 1890s' Italian Music Press (2010)The Cambridge Companion to Opera Studies (2012)Vocal performance in the seventeenth century (2012)Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590-1612 (2009)The Cambridge History of Musical Performance (2012)
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References

  • 2002Monteverdi's Musical Theatre108 cited
  • 2007The Cambridge Companion to Monteverdi71 cited
  • 1996The letters of Claudio Monteverdi71 cited
  • 1967Dialogo della musica antica et della moderna70 cited
  • 1990Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni65 cited
  • 2002Two Monteverdi Problems, and Why They Matter35 cited
  • 1986Claudio Monteverdi: Orfeo23 cited
  • 1996TALLIS, BYRD AND THE 'INCORRECTED COPY': SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE9 cited

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