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I'll tell you what: the life of Elizabeth Inchbald
7 references·3 citing·35 second hop
I'll tell you what: the life of Elizabeth Inchbald (2003)I'll tell you what: the life of Elizabeth…Francis Sheppard. London: A History. New York: Oxford University Press. 1998. Pp. xvii, 442. $30.00. ISBN 0-19-822922-4. (1999)Francis Sheppard. London: A H…The Art of Dress: Fashion in England and France, 1750-1820. (1997)The Art of Dress: Fashion in …Sir Joshua Reynolds: the painter in society (1997)Sir Joshua Reynolds: the pain…Citizens: A Chronicle of the French Revolution (1990)Citizens: A Chronicle of the …An Historical and Moral View of the Origin and Progress of the French Revolution and the Effect It Has Produced in Europe (1975)An Historical and Moral View …England in the eighteenth century (1950)England in the eighteenth cen…Nollekens and his times (1949)Nollekens and his timesShakespeare and amateur performance: a cultural history (2012)Shakespeare and amateur perfo…Women and Dramatic Writing in the British Romantic Era (2004)Women and Dramatic Writing in…Mr. Harmony and the Events of January 1793: Elizabeth Inchbald's Every One Has His Fault (2004)Mr. Harmony and the Events of…Vested Interests: Cross-Dressing and Cultural Anxiety (1993)The island race: Englishness, empire and gender in the eighteenth century (2003)Oxford Dictionary of National Biography (2014)Sarah Sophia Banks’s Private Theatricals: Ephemera, Sociability, and the Archiving of Fashionable Life (2015)Shakespeare for freedom why the plays matter (2017)Ophelian Negotiations: Remediating the Girl on YouTube (2023)Women and the Public Sphere in the Age of the French Revolution. (1991)The republic of letters: a cultural history of the French Enlightenment (1995)Britons : Forging the Nation, 1707-1837 (2003)Closet Stages (1997)Women and playwriting in nineteenth-century Britain (2000)Women in British Romantic theatre: drama, performance, and society, 1790-1840 (2001)Romanticism and Theatrical Experience (2018)Romanticism and Theatrical Experience: Kean, Hazlitt and Keats in the Age of Theatrical News (2019)Picturing Tragedy: Mrs. Siddons as The Tragic Muse Revisited (2000)Confessional Texts Versus Visual Representation: The Portraits of Mary Darby Robinson (2009)Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays (2016)Natural history in Britain in the eighteenth century1 (1993)The Bubble Act: Its Passage and Its Effects on Business Organization (1994)The Treatment of Background in Kazuo Ishiguro’s The Remains of the Day (2007)Samuel Johnson, Urban Culture, and the Geography of Postfire London (2002)The City of London and slavery: evidence from the first dock companies, 1795–18001 (2007)Sounding imperial: poetic voice and the politics of empire, 1730-1820 (2014)The Cultural Politics of Luxury in Eighteenth-Century France (2000)Hair, Authenticity, and the Self-Made Macaroni (2004)Art, life, and the fashion museum: for a more solidarian exhibition practice (2020)Entrepreneurship: Productive, unproductive, and destructive (1996)Modern Social Imaginaries (2003)Great Powers and Outlaw States (2004)John Webster, Tussaud Laureate: The Waxworks in The Duchess of Malfi (2012)Notes Towards a History of the Solo Exhibition (2015)Poem Into Song (2015)Wollstonecraft as a Critic of Burke (1995)Mary Wollstonecraft on Politics and Friendship (2007)Artificial Intelligence and Democracy (2022)
this work references cited by second hop

References

  • 1990Citizens: A Chronicle of the French Revolution400 cited
  • 1950England in the eighteenth century72 cited
  • 1975An Historical and Moral View of the Origin and Progress of the French Revolution and the Effect It Has Produced in Europe70 cited
  • 1999Francis Sheppard. London: A History. New York: Oxford University Press. 1998. Pp. xvii, 442. $30.00. ISBN 0-19-822922-4.40 cited
  • 1997The Art of Dress: Fashion in England and France, 1750-1820.39 cited
  • 1949Nollekens and his times37 cited
  • 1997Sir Joshua Reynolds: the painter in society22 cited

Cited by

  • 2012Shakespeare and amateur performance: a cultural history37 cited
  • 2004Women and Dramatic Writing in the British Romantic Era10 cited
  • 2004Mr. Harmony and the Events of January 1793: Elizabeth Inchbald's Every One Has His Fault10 cited

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