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From Garrick to Gluck: The Reform of Theatre and Opera in the mid-Eighteenth Century
1 references·16 citing·39 second hop
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References

  • 2019A cosmopolitan actor, David Garrick and his French friends20 cited

Cited by

  • 1996FromNinatoNina: Psychodrama, absorption and sentiment in the 1780s56 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
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  • 2013The Rival Sirens29 cited
  • 2018TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON12 cited
  • 2012The performer and the composer10 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2019Music and Narrative in the Eighteenth Century: Gluck’s Iphigénie en Aulide as Dramatic Tableau3 cited
  • 2021The Female Sublime: Domesticating Luigia Todi’s Voice3 cited
  • 2012Vocal performance in the Renaissance

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3 cited
  • 2012The teaching of performance2 cited