SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Brian Friel’s Transformation from Short Fiction Writer to Dramatist
16 references·0 citing·29 second hop
Brian Friel’s Transformation from Short Fiction Writer to Dramatist (2012)Brian Friel’s Transformation from Short F…Theatre and Audience (2009)Theatre and AudienceThe spectator and the spectacle: audiences in modernity and postmodernity (2009)The spectator and the spectac…Audience participation: essays on inclusion in performance (2004)Audience participation: essay…Acting Between the Lines: The Field Day Theatre Company and Irish Cultural Politics, 1980-1984 (2001)Acting Between the Lines: The…The diviner : the art of Brian Friel (1999)The diviner : the art of Bria…Brian Friel : essays, diaries, interviews, 1964-1999 (1999)Brian Friel : essays, diaries…Contemporary Irish drama: from Beckett to McGuinness (1995)Contemporary Irish drama: fro…The Achievement of Brian Friel (1994)The Achievement of Brian FrielBrian Friel and Ireland's drama (1991)Brian Friel and Ireland's dra…Theatre Audiences: A Theory of Production and Reception (1990)Theatre Audiences: A Theory o…The Literature of Region and Nation (1989)The Literature of Region and …The Eye of Prey: Subversions of the Postmodern (1988)The Eye of Prey: Subversions …Celtic Revivals: Essays in Modern Irish Literature, 1880-1980 (1985)Celtic Revivals: Essays in Mo…The Most Contrary Region: The Bbc in Northern Ireland 1924-1984 (1984)The Most Contrary Region: The…Dubliners: Text, Criticism, and Notes (1969)Dubliners: Text, Criticism, a…The lonely voice : a study of the short story (1963)The lonely voice : a study of…Changing the Terms (2001)A History of the Irish Novel (2011)The Irish Revival and Modernism (2014)Shakespeare and World Cinema (2012)The theatrical public sphere (2015)German Operetta on Broadway and in the West End, 1900–1940 (2019)States of Desire (1998)James Joyce and the Difference of Language (2007)Joyce’s “The Sisters”: A Development (2012)The Cambridge Introduction to the Short Story in English (2007)The Movement of Air, the Breath of Meaning: Aurality and Multimodal Composing (2016)The Cambridge History of Twentieth-Century English Literature (2005)Contemporary drama in English: 1940–2000 (2006)The Cambridge Companion to J. M. Synge (2009)Fictional Territory and a Woman's Place: Regional and Sexual Difference in Shirley (1995)Domesticities and novel narratives (2012)The Cambridge History of the English Novel (2012)Re: Blau, Butler, Beckett, and the Politics of Seeming (2000)Rabbits, Machines, and the Ontology of Performance (2005)Theatrical Temporality and Historical Consciousness in The Famous Victories of Henry V (2007)The Anthropology of Theater and Spectacle (1993)Stage Fright, Animals, and Other Theatrical Problems (2006)The Cambridge Introduction to Theatre Studies (2008)Reporting the troubles in northern Ireland: Paradigms and media propaganda (1997)Family stories, public silence: Irish identity construction amongst the second-generation Irish in England (2002)Broadcasting to reflect ‘life and culture as we know it’: media policy, devolution and the case of Northern Ireland (2015)Making History in the Second Person: Post-touristic Considerations for Living Historical Interpretation (2006)Constituting Folklore: A Case for Critical Folklore Studies (2009)Performing Desistance (2014)
this work references cited by second hop

References

  • 1990Theatre Audiences: A Theory of Production and Reception394 cited
  • 1963The lonely voice : a study of the short story260 cited
  • 1985Celtic Revivals: Essays in Modern Irish Literature, 1880-1980189 cited
  • 1995Contemporary Irish drama: from Beckett to McGuinness104 cited
  • 2009The spectator and the spectacle: audiences in modernity and postmodernity79 cited
  • 1969Dubliners: Text, Criticism, and Notes79 cited
  • 1989The Literature of Region and Nation76 cited
  • 1984The Most Contrary Region: The Bbc in Northern Ireland 1924-198465 cited
  • 2004Audience participation: essays on inclusion in performance55 cited
  • 1988The Eye of Prey: Subversions of the Postmodern45 cited
  • 1994The Achievement of Brian Friel41 cited
  • 1999Brian Friel : essays, diaries, interviews, 1964-199940 cited
  • 2001Acting Between the Lines: The Field Day Theatre Company and Irish Cultural Politics, 1980-198438 cited
  • 1999The diviner : the art of Brian Friel38 cited
  • 1991Brian Friel and Ireland's drama35 cited
  • 2009Theatre and Audience33 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.