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MUSIC AT THE SCUOLA DI SAN ROCCO
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MUSIC AT THE SCUOLA DI SAN ROCCO (1959)MUSIC AT THE SCUOLA DI SAN ROCCOVocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…The Emergence of Women Composers in Italy, 1566–1700 (1986)The Emergence of Women Compos…Liturgical Problems in Monteverdi's Marian Vespers (1967)Liturgical Problems in Montev…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Die katholische Kirchenmusik (1934)The Uses of the Sonata da Chiesa (1969)Toward an Interpretation of the Sixteenth-Century Motet (1981)Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590-1612 (2009)The Present State of Music in France and Italy (2014)Becoming Visible: Women in European History (1977)The Renaissance Notion of Woman (1980)Early Feminist Theory and the "Querelle des Femmes", 1400-1789 (1982)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Shared musical creativity: teaching composer-performer collaboration (2020)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
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Cited by

  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1967Liturgical Problems in Monteverdi's Marian Vespers43 cited
  • 1986The Emergence of Women Composers in Italy, 1566–170014 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited

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