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An introduction to the rock art of the Malilangwe Conservation Trust, southeastern Zimbabwe
16 references·3 citing·30 second hop
An introduction to the rock art of the Malilangwe Conservation Trust, southeastern Zimbabwe (2009)An introduction to the rock art of the Ma…Southern African Field Archaeology (2022)Southern African Field Archae…Early iron manufacturing industries in semi-arid, south-eastern Zimbabwe (2007)Early iron manufacturing indu…San spirituality: roots, expression, and social consequences (2005)San spirituality: roots, expr…Taking Stock (2004)Taking StockReturn to Chauvet Cave : Excavating the Birthplace of Art - The First Full Report (2003)Return to Chauvet Cave : Exca…Theoretical Perspectives in Rock Art Research (2002)Theoretical Perspectives in R…Images of Power: Understanding San Rock Art (1999)Images of Power: Understandin…The Hunter's Vision: The Prehistoric Art of Zimbabwe (1997)The Hunter's Vision: The Preh…Continuity and change : an archaeological study of farming communities in northern Zimbabwe AD 500-1700 (1996)Continuity and change : an ar…Seeing and Construing: The Making and ‘Meaning’ of a Southern African Rock Art Motif (1995)Seeing and Construing: The Ma…Women like Meat: The Folklore and Foraging Ideology of the Kalahari Ju/'hoan (1994)Women like Meat: The Folklore…Women like meat: the folklore and foraging ideology of the Kalahari Ju/'hoan (1994)Women like meat: the folklore…The behavior guide to African mammals (1992)The behavior guide to African…A dream of eland: An unexplored component of San shamanism and rock art (1987)A dream of eland: An unexplor…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…The Medicine Dance of the ! Kung Bushmen (1969)The Medicine Dance of the ! K…La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg (2023)La mobilisation des données d…David Phillipson: A Pan-African Archaeologist (2023)David Phillipson: A Pan-Afric…PAINTING POSTURES: BODY SYMBOLISM IN SAN ROCK ART OF THE NORTH EASTERN CAPE, SOUTH AFRICA (2013)PAINTING POSTURES: BODY SYMBO…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Perception of the Environment (2002)THROUGH WARY EYES: Indigenous Perspectives on Archaeology (2005)A linguist's view: Khoe-Kwadi speakers as the earliest food-producers of southern Africa (2008)Invisible herders? The archaeology of Khoekhoe pastoralists (2008)Black Skin, White Masks (2023)Sharing, Talking, and Giving: Relief of Social Tensions among !Kung Bushmen (1961)Prestige and reproductive success in man (1984)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)The Human Symbolic Revolution: A Darwinian Account (1995)Selective Borrowing? The Possibility of San Shamanistic Influence on Southern Bantu Divination and Healing Practices (1998)Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)Late PlioceneHomoand Oldowan Tools from the Hadar Formation (Kada Hadar Member), Ethiopia (1996)Interdisciplinary Approaches to the Oldowan (2009)Were snares and traps used in the Middle Stone Age and does it matter? A review and a case study from Sibudu, South Africa (2009)Compound‐Adhesive Manufacture as a Behavioral Proxy for Complex Cognition in the Middle Stone Age (2010)The Still Bay and Howiesons Poort, 77–59 ka (2011)Those marvellous millennia: the Middle Stone Age of Southern Africa (2015)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)Hunting, healing, and hxaro exchange (2002)The Ascendance of Hunting during the California Middle Archaic: An Evolutionary Perspective (2002)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)The Visual Dynamics of Upper Palaeolithic Cave Art (2008)The Case for Hand Stencils and Prints as Proprio-Performative (2013)A Segment is not a Monolith: evidence from the Howiesons Poort of Sibudu, South Africa (2008)Early Paleoindian big-game hunting in North America: Provisioning or Politics? (2010)Late Pleistocene Techno-traditions in Southern Africa: A Review of the Still Bay and Howiesons Poort, c. 75–59 ka (2012)Cooperation and the evolution of hunter-gatherer storytelling (2017)
this work references cited by second hop

References

  • 1992The behavior guide to African mammals664 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1969The Medicine Dance of the ! Kung Bushmen178 cited
  • 1994Women like meat: the folklore and foraging ideology of the Kalahari Ju/'hoan171 cited
  • 1994Women like Meat: The Folklore and Foraging Ideology of the Kalahari Ju/'hoan158 cited
  • 2022Southern African Field Archaeology152 cited
  • 2005San spirituality: roots, expression, and social consequences132 cited
  • 2003Return to Chauvet Cave : Excavating the Birthplace of Art - The First Full Report121 cited
  • 2004Taking Stock119 cited
  • 1999Images of Power: Understanding San Rock Art85 cited
  • 1987A dream of eland: An unexplored component of San shamanism and rock art74 cited
  • 2002Theoretical Perspectives in Rock Art Research70 cited
  • 2007Early iron manufacturing industries in semi-arid, south-eastern Zimbabwe65 cited
  • 1996Continuity and change : an archaeological study of farming communities in northern Zimbabwe AD 500-170060 cited
  • 1997The Hunter's Vision: The Prehistoric Art of Zimbabwe51 cited

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1995
Seeing and Construing: The Making and ‘Meaning’ of a Southern African Rock Art Motif
43 cited

Cited by

  • 2013PAINTING POSTURES: BODY SYMBOLISM IN SAN ROCK ART OF THE NORTH EASTERN CAPE, SOUTH AFRICA1 cited
  • 2023David Phillipson: A Pan-African Archaeologist0 cited
  • 2023La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg0 cited